A Petrarchan sonnet
based on a character
in the Ramayana
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A Petrarchan sonnet
based on a character
in the Ramayana
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Born in 1952 in Calcutta, India, Vikram Seth was educated at Corpus Christi College, Oxford, Stanford University and Nanjing University. He has travelled widely and lived in Britain, California, India and China. His epic novel, A Suitable Boy (1993), won the WH Smith Literary Award and the Commonwealth Writers Prize (Overall Winner, Best Book). He is also the author of An Equal Music (1999), From Heaven Lake: Travels Through Sinkiang and Tibet (1983), an account of a journey through Tibet, China and Nepal that won the Thomas Cook Travel Book Award, and Arion and the Dolphin: A Libretto (1994), which was performed at the English National Opera in June 1994, with music by Alec Roth. His poetry includes Mappings (1980), The Humble Administrator’s Garden (1985), winner of the Commonwealth Poetry Prize (Asia), and All You Who Sleep Tonight: Poems (1990).
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‘Ask anyone in Ayodhya, and they will say the city’s Hindu–Muslim harmony can withstand any test.’
Snigdha Poonam on the construction of a Hindu temple on the ruins of a mosque in Utter Pradesh.
‘The town’s fate was tied to poor development and ecological disaster.’
Amitava Kumar visits a Himalayan town.
“I’m from here. I grew up here. In fact, that’s why the government invited me back for this work.”
Short fiction by Karan Mahajan.
‘India, as we know it, is changing. What will it become?’
Memoir by Amitava Kumar.
‘In Delhi the heat is chemical, something unworldly, a dry bandage or heating pad wrapped around the body.’
Memoir by Amitava Kumar.
‘Memory is what reconciles us to the future. Because she has no past, her future rushes towards her, a bat's wing brushing against her face in the dark.’
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