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← Back to all issuesGranta 159: What Do You See?
Spring 2022
Granta 159: What Do You See? features William Atkins on Sizewell C, the proposed nuclear power station in Suffolk; travel essays by Jason Allen-Paisant and Ishion Hutchinson, memoir by Kevin Childs, Geoff Dyer, Alejandro Zambra (translated from the Spanish by Megan McDowell) and Lars Horn.
Fiction by Adam Foulds, Andrew Holleran and Maxim Osipov (translated from the Russian by Alex Fleming) and Rebecca Sollom.
Photography by Phalonne Pierre Louis; Raphaela Rosella, introduced by Nicole R. Fleetwood; and Muhammad Salah, introduced by Esther Kinsky.
Cover image by Suzie Howell.
From this Issue
Essays & Memoir|Granta 159
Essays & Memoir|Granta 159
On Sizewell C
William Atkins
‘Where do we go, as a country, for power?’
William Atkins on the proposed nuclear power station in Suffolk.
Essays & Memoir|Granta 159
Essays & Memoir|Granta 159
Beyond Conversion Therapy
Kevin Childs
‘When I was growing up in his house, religion was his crutch, a justification for his behaviour.’
Kevin Childs on growing up queer in a Catholic household.
Essays & Memoir|Granta 159
Essays & Memoir|Granta 159
Joy and Insecurity in Port-au-Prince
Jason Allen-Paisant
‘The body is the first measurement of time: to reclaim time is to reclaim the body.’
Jason Allen-Paisant in Haiti.
Art & Photography|Granta 159
Art & Photography|Granta 159
Port-au-Prince by Night
Phalonne Pierre Louis
A photoessay by Phalonne Pierre Louis.
Essays & Memoir|Granta 159
Essays & Memoir|Granta 159
My Mother Photographs Me in a Bath of Dead Squid
Lars Horn
‘She is not a conventionally “good” mother. But then, put like that, it sounds like a slow death sentence anyhow.’
Lars Horn on modeling for their artist mother.
Essays & Memoir|Granta 159
Essays & Memoir|Granta 159
Blue-Eyed Muggers
Alejandro Zambra
‘At every protest, when it was time to yell at the cops, I remembered my father and felt a turbulent emotion.’
Memoir by Alejandro Zambra on his father and his son.
Essays & Memoir|Granta 159
Essays & Memoir|Granta 159
Diary of a Journey to Senegal
Ishion Hutchinson
‘Sea night music: what is the music?’
Ishion Hutchinson in Senegal.
Fiction|Granta 159
Fiction|Granta 159
Ghosts
Adam Foulds
‘It was unmistakable, he said; it was absolutely him.’
Fiction by Adam Foulds.
Art & Photography|Granta 159
Art & Photography|Granta 159
The Right to Intimacy
Raphaela Rosella & Nicole R. Fleetwood
‘Rosella and her co-creators curate an archive of pain, of endurance, of love and belonging, of alienation and disconnection.’
Nicole R. Fleetwood introduces the photography of Raphaela Rosella.
Fiction|Granta 159
Fiction|Granta 159
National Dress
Rebecca Sollom
‘That smile the President has – it was just the same then as it is now.’
Fiction by Rebecca Sollom.
Art & Photography|Granta 159
Art & Photography|Granta 159
Hölzung
Muhammad Salah & Esther Kinsky
‘But what is an unencumbered gaze? And where does it begin to see?’
Esther Kinsky introduces a photoessay by Muhammad Salah.
Fiction|Granta 159
Fiction|Granta 159
An English Opening
Maxim Osipov
‘In a bad position, any move is worthless.’
New fiction by Maxim Osipov, translated from the Russian by Alex Fleming.
Fiction|Granta 159
Fiction|Granta 159
The Kingdom of Sand
Andrew Holleran
‘In a small town, one thinks that Time is not even passing.’
An excerpt from Holleran’s novel The Kingdom of Sand.
Essays & Memoir|Granta 159
Essays & Memoir|Granta 159
Being-in-the-World
Geoff Dyer
‘Even experienced users get scared because it’s so far out.’
Geoff Dyer on ageing and understanding the self.