Nineteen forty-five, early autumn. A month before, the Second World War had ended in Japan with a flash and a bang. Four Sundays later, I began as host of a one-hour weekly radio programme of recorded music called The Wax Museum. The phrase disc jockey had not yet entered our working vocabulary. In …
Free to read from Granta 160: Conflict
Letters from Ukraine
‘There was really no point in going to a bomb shelter just because the siren sounded. Our hotel was unlikely to be a target.’
Lindsey Hilsum writes letters home from Ukraine.
‘The recipe is a text that can produce spattering because it was spattering before it was language.’
Rebecca May Johnson on recipes, repetition and intimacy.
‘To make a subject of the very same entity I am a part of, to be outside and within it.’
Thomas Duffield photographs his family.
‘There sat the joy of the shopping centre, what I thought of as its secret heart. A white rabbit.’
A story by Dizz Tate.
Signs of an Approaching War
‘We were ourselves migrating birds; in a sense, refugees, displaced persons, without a home or a home town.’
Volodymyr Rafeyenko (tr. Sasha Dugdale) on the war in Ukraine.