Narcopolis by Jeet Thayil is published by Faber & Faber.
Photograph © Basso Cannarsa
Jeet Thayil talked to online editor Ted Hodgkinson about being shortlisted for the Booker, the images of Christ woven into his novel Narcopolis and an unexpected digression on Blade Runner.
Narcopolis by Jeet Thayil is published by Faber & Faber.
Photograph © Basso Cannarsa
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Jeet Thayil was born in Kerala, India in 1959 and educated in Hong Kong, New York and Bombay. He is a performance poet, songwriter and guitarist, and has published four collections of poetry. He is the editor of The Bloodaxe Book of Contemporary Indian Poets (2008). His debut novel Narcopolis was shortlisted for the Man Booker Prize. He currently lives in New Delhi.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘Quitting drugs – what an idea. How final and unaccommodating. Like being left without faith or protection in a pagan world.’ An extract from Jeet Thayil’s Low.
‘To read Baudelaire, he said, is to gather up the world and bring it inside.’
Jeet Thayil on remembering Baudelaire in Paris and Cochin.
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘I want the reader to be conscious of reading and not being just drawn into the book and forgetting themselves and forgetting their life.’
Claire-Louise Bennett on her novel Checkout 19.
‘She say, Crack too long a word for the sound an egg make. Air in here is hot like only water posed to be.’
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