Image: detail from illustration by Tomer Hanuka in Granta 122: Betrayal
André Aciman reads from the work and speaks to Granta’s Yuka Igarashi about the story, the problem with unreliable narrators and modern poetry, and why self-deception and betrayal are good subjects for fiction.
Image: detail from illustration by Tomer Hanuka in Granta 122: Betrayal
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
André Aciman is Distinguished Professor of Comparative Literature at the Graduate Center, CUNY. He is the author of the memoir Out of Egypt and four novels: Call Me by Your Name, Eight White Nights, Harvard Square and Enigma Variations. He is currently working on a novel tentatively titled Youth and a collection of essays, Homo Irrealis.
More about the author →Yuka Igarashi is the former managing editor at Granta and was issue editor of Granta 127: Japan. She has taught fiction writing at various universities including Columbia and Parsons The New School for Design in New York.
More about the author →‘I think of betrayal as a crack in the veneer of humanity, an act that reveals to us, and others, our base animal nature.’
‘Your problem is not that you misread signs; it’s that you see them everywhere.’
‘The spring of 1989 was so apocalyptic that at the time it had seemed unthinkable that the year's events would fade or that China would ever be able to forget them.'
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