‘When he woke up, everything was exactly the same as it had been the night before…’
Marie-Margaux Tsakiri-Scanatovits responds to Helen Simpson’s ‘Night Thoughts’ in Granta 115: The F Word.
Marie-Margaux Tsakiri-Scanatovits responds to Helen Simpson’s ‘Night Thoughts’ in Granta 115: The F Word.
‘When he woke up, everything was exactly the same as it had been the night before…’
Marie-Margaux Tsakiri-Scanatovits responds to Helen Simpson’s ‘Night Thoughts’ in Granta 115: The F Word.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Marie-Margaux Tsakiri-Scanatovits is an animator and illustrator based in North London.
More about the author →‘The viewer has to pour their own unconscious into interpreting these images, make them their own, allow themselves to be encouraged by the existence of a void.’
‘I now see Melting Rainbows as a self-referential project to parse the universe which we inhabit.’
‘The photograph we are left with and the memory of that time do not progress along the same time axes.’
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