‘Nagaraj had begun to have doubts about his standing in his ancestral home’
Nagaraj had begun to have doubts about his standing in his ancestral home, 14 Kabir Street. He was the titular head of the family, his wife, Sita, being the real ruler of the empire extending from the street to the lichen-covered backyard wall with a door opening on to the sands of the River Sarayu.
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
“I’m from here. I grew up here. In fact, that’s why the government invited me back for this work.”
Short fiction by Karan Mahajan.
‘India, as we know it, is changing. What will it become?’
Memoir by Amitava Kumar.
‘In Delhi the heat is chemical, something unworldly, a dry bandage or heating pad wrapped around the body.’
Memoir by Amitava Kumar.
‘Before chintziness there was chintz, a fabric produced in India and imported to Europe by colonial traders.’
Sam Johnson-Schlee on what chintz means.
A conversation between Kamila Shamsie and Sunjeev Sahota.
‘It was Anthony Shadid at his best, consumed by the stories of Iraq in the wake of the US led invasion and writing the most beautiful and intimate account of what followed.’
