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← Back to all issuesGranta 102: The New Nature Writing
Summer 2008
As our conception and experience of nature changes, so too does the way we write about it. This special issue features Kathleen Jamie on human pathology, Jonathan Raban on the road in the American West and Robert Macfarlane ghost-hunting in the Fens. Plus, new fiction by Lydia Peelle and a graphic story from David Heatley.
From this Issue
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Witness: Butterflies on a Wheel
Anthony Doerr
‘Butterflies: a long, shimmering curtain.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Science: When the world turns ugly
Jim Holt
‘Disorder is the essence of global warming.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Encounter: The visions of Kurt Jackson
Mark Cocker
‘A thing of colour and elemental contest and of beauty.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Subject+Object
Seamus Heaney
‘Birch is the tree of desire, ashimmer with sexual possibility even when it arrives swathed in botanical Latin.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Pathologies
Kathleen Jamie
‘It felt surprisingly good to be part of that rough tribe of the mortal.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
The Tree of the Cross
Richard Mabey
‘Spending the first half of my life in the Chilterns, in southern England’s chalk country, I grew up with yews.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Ghost Species
Robert Macfarlane
‘On a cold morning last January, I travelled out to the Norfolk Fens to see a ghost.’
Fiction|Granta 102
Fiction|Granta 102
Phantom Pain
Lydia Peelle
‘Something’s out there. Something has shown up in the woods of Highland City.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Netherley
Paul Farley & Niall Griffiths
‘It still feels like the end of the line.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
The Migration
Edward Platt
‘It was like stepping into the interior of a submarine.’
Essays & Memoir|Granta 102
Essays & Memoir|Granta 102
Land’s End
Philip Marsden
‘Never by any chance will any wanderer from the world discover him in that illimitable wilderness.’
Poetry|Granta 102
Poetry|Granta 102
Elegy
Sean O’Brien
‘It seems there's no such thing as history. / We must have dreamed the world you've vanished from.’
The Online Edition
Essays & Memoir|The Online Edition
Boar
Leo Mellor
‘A rustle in the bracken; then, almost immediately, a snout and some wiry black hair.’
In Conversation|The Online Edition
David Heatley | Interview
David Heatley & Simon Willis
‘There’s something magical about a pictographic doodle that’s simple enough to scan and then move on.’
Fiction|The Online Edition
Crossing Cut Creek | New Voices
Erin McMillan
‘Light rose over Mama’s tanned arms, Keller’s dirty hair. The air was thick with colour and swirling dust, and we were still, suspended in it.’
In Conversation|The Online Edition
Erin McMillan | Interview
Erin McMillan & Roy Robins
‘The other important component of the why of writing is that I’ve always been a bit of a liar.’
Art & Photography|The Online Edition
Mordros: The Sound of the Sea
Kurt Jackson
Kurt Jackson is an environmentalist, ecologist and one of Britain’s leading artists.
Art & Photography|The Online Edition
The East Anglians
Justin Partyka
For nearly a decade, Justin Partyka has been photographing rural lives in East Anglia.
In Conversation|The Online Edition
Ghost Species | Video
Robert Macfarlane
Robert Macfarlane discusses his piece ‘Ghost Species’, published in Granta 102, and reflects on the future of nature writing.
Art & Photography|The Online Edition
Netherley
Paul Farley
For Granta 102, Paul Farley and Niall Griffiths returned to Netherley, on Liverpool’s north-eastern rim and the fringes of rural Lancashire, and to what remains of the housing estate where they grew up.
In Conversation|The Online Edition
Jonathan Raban | Interview
Jonathan Raban & Helen Gordon
‘The term ‘man of letters’ now seems hopelessly archaic, but I’d like to think there’s still life left in the notion of the writer who’s just a writer.’
In Conversation|The Online Edition
Evan James Roskos | Interview
Evan James Roskos & Roy Robins
‘There is a view of American men presented by the media – of men as boorish, insensitive, emotionally immature – that manages to underscore various stereotypes that I feel fiction and poetry have a duty to dismantle.’
Art & Photography|The Online Edition
Preparing for war in Iraq
Seamus Murphy
‘Playing the game instantly bestows honour upon the players, with the possibility of new recruits for the American forces in Iraq.’
Essays & Memoir|The Online Edition
Jim Magee’s Hill
Pamela Petro
‘No one who’s seen The Hill has been able to describe it to me without visceral discomfort. Actually, no one’s been able to describe it at all.’
Fiction|The Online Edition
Conspiracy of Males | New Voices
Evan James Roskos
‘Nothing was your fault. You defended no one. By default, you defended us.’
Essays & Memoir|The Online Edition
On Sweden, state power and Susan Sontag
Sigrid Rausing
‘Sweden in a sense was a celebrity state because it had become globally symbolic of the welfare state, of high taxes, of sexual education and liberation.’
In Conversation|The Online Edition
Lana Asfour | Interview
Lana Asfour & Roy Robins
‘I do find in fiction the greatest freedom and therefore the greatest potential meaning.’
In Conversation|The Online Edition
Julie Klam | Interview
Julie Klam & Marian Brown
‘I’m successful? I can’t wait to call my mother!’
Fiction|The Online Edition
Reconstruction | New Voices
Lana Asfour
‘There’s nothing like watching the summer sunset with a glass of jellab.’
Fiction|The Online Edition
Something Close to Heaven
Evie Wyld
‘It was just past nine when the fuel ran out.’
In Conversation|The Online Edition
Evie Wyld | Interview
Evie Wyld & Roy Robins
‘When I was at school I found I received the same satisfaction from writing a short story that I did doing awful self-portraits – only the results were much better.’