Photograph courtesy of the authors
‘Four Syrian Borders’ is product of a joint collaboration between Granta and the International Literary Showcase, an initiative supported by Writers’ Centre Norwich, the British Council and Arts Council England.
‘The landscape, glimpsed through plumes of dust thrown up by trucks, grew drier, more hostile as it climbed away from the sea.’
Photograph courtesy of the authors
‘Four Syrian Borders’ is product of a joint collaboration between Granta and the International Literary Showcase, an initiative supported by Writers’ Centre Norwich, the British Council and Arts Council England.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Esa Aldegheri is an academic and activist working in the field of migration and integration. She speaks five languages, is a researcher at the University of Glasgow and Chair of Edinburgh City of Sanctuary. @aldeghesa
More about the author →Gavin Francis is a physician in Edinburgh and the award-winning author of Empire Antarctica, Adventures in Human Being and Shapeshifters. He's a regular contributor to the Guardian, LRB and the New York Review of Books. www.gavinfrancis.com @gavinfranc
More about the author →
‘The camera records what’s in front of it, but that reality can be pre-arranged.’
Thomas Ruff speaks to Alice Zoo about light, Bernd and Hilla Becher and the essence of photography.
‘The scarlet stained my palm – / whether the blood of the berry or of the bird, / I couldn’t tell.’
A poem by Isabelle Baafi.
‘The farm was in one of the fourteen green-purple wet deserts, in a dent six miles wide with its shoulders covered in scree and a rainy season that lasts twelve months a year.’
An extract from The Borrowed Hills by Scott Preston.
‘First, a boy was meant to stop following him mama, then him papa, then at around fourteen him become him own man – that’s how Ras Levi say life was suppose to work.’
An extract from Fast by the Horns by Moses McKenzie.
‘But I still get homesick, that vast and deep pit in the stomach, every time I go away.’
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