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Cortis & Sonderegger
Cortis & Sonderegger make the premise that there is truth left in photography more doubtful than ever before.
Kobane: The Aftermath
Lorenzo Meloni & Claire Messud
‘If black is the colour of the Islamic State, then grey is the colour of destruction.’
The Hand’s Breadth Murders
Adam Nicolson & Gus Palmer
‘It is what happens in a place where revenge is the only justice.’
About the Cover
Stanley Donwood
‘I took myself off to the woods, the fragments of the great forests that once spread over our continent.’
An (almost) perfect day
Anne De Gelas
‘I think of the self-portrait as a mirror of all the violence that befalls us.’
Too Hard to Keep
Jason Lazarus & Ariana Reines
‘There are days I can’t even remember the things I want to know.’
Will They Sing Like Raindrops or Leave Me Thirsty
Max Pinckers & Sonia Faleiro
‘The idea of romantic love for young people is a constructed one.’
Traces II
Ian Teh
‘I am interested in the dissonance created between the ambivalent images and the historical, economic and scientific narrative that accompanies them.’
Observatoires
Noémie Goudal
In her series Observatoires, Noémie Goudal places stairs, pyramids and domes in natural, isolated, timeless spaces.
