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Working Girls
A. Jiang
‘I tried to work out how many elements I would have plugged if I retired at sixty, and soon I was fatigued before a simple subtraction.’
Fiction by A. Jiang.
Piranhas and Us
Can Xue
‘An enormous black form rose from the water. Uncle Feng told me in a low voice to run fast.’
Fiction by Can Xue, translated by Annelise Finegan.
China Time
Thomas Meaney
‘At a time when China has become a unifying specter of menace for Western governments, this issue of Granta brings the country’s literary culture into focus.’
The editor introduces the issue.
Speedwell
Zhang Yueran
‘Fiction is a kind of spell, I said, and analysing a story is an exorcism. It loses all its mystery.’
Fiction by Zhang Yueran, translated by Jeremy Tiang.
Hunter
Shuang Xuetao
‘Lu Dong is a fifth-rate actor – that’s by his own ranking system.’
Fiction by Shuang Xuetao, translated by Jeremy Tiang.
White Night
Feng Li
‘For more than twenty years, photographer Feng Li has been documenting the people and backdrops of Chengdu, the capital of Sichuan province, and one of the fastest growing cities on earth.’
Photography by Feng Li, introduced by Granta.
The Excitements of Spring
Zou Jingzhi
‘As a young man, I wanted to learn how to love, but in the end, I did nothing. I wanted to torture myself, but didn’t know where to begin.’
Fiction by Zou Jingzhi, translated by Jeremy Tiang.
Picun
Han Zhang
‘The stories being written by Picun writers and their peers show the effort and the ingenuity required to survive as migrant workers, builders of the economic miracle.’
Han Zhang on the New Workers’ Literature Group of Picun.
The Piranhas
Jianan Qian
‘In the end, the real world always finds a way to live up to rumor.’
Fiction by Jianan Qian, translated by Jianan Qian and Alyssa Asquith.
Take Me Out to the Ball Game
Ban Yu
‘It was a special time in Shenyang’s history – everyone was enthusiastic about football, and every company had a football fan club.’
Fiction by Ban Yu, translated by Tony Hao.
Shot in the 1960s, Printed Yesterday
Haohui Liu
‘It is rare to see photos of Daqing from the 1960s that are not part of the official feting of the oil boom.’
Photography by Haoihui Liu, introduced by Granta.
Adrift in the South
Xiao Hai
‘Finally! I thought. Now I get to work in a big factory. I was fifteen and a half years old. I was a child laborer.’
Xiao Hai on coming of age in the factories of Shenzhen, translated by Tony Hao.
