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The Writing of ‘Or Shall We Die?’
Ian McEwan
‘There was too the challenge, as I saw it, of writing a singable English, simple and clear, that could express public themes without pomposity and private feelings without bathos.’
An Escape from Kampala
Wycliffe Kato
‘‘Be brave,’ she said, ‘pull yourself together. What you are about to see is worse than you ever imagined.’ She asked if I knew what Winston Churchill had called Uganda. He had called it the pearl of Africa.’
Watching the Rain in Galicia
Gabriel García Márquez
‘Only then did I understand where my grandmother had got that credulity which allowed her to live in a supernatural world in which everything was possible and where rational explanations were totally lacking in validity.’
Maud Newton | Portrait of My Father
Maud Newton
‘Exactly how long the prostitute, unbeknownst to my father, stayed at our house and slept in my bed is hard to gauge.’
The Conflicted Legacy of Meles Zenawi
Maaza Mengiste
‘Meles Zenawi’s legacy is as complicated as the life he chose to live, under a name (Meles) that he took from a fallen comrade during his days as a guerrilla fighter. ’
Essex
Norman Lewis
‘Essex is the ugliest county. I only went there to be able to work in peace and quiet and get away from the settlers from London south of the river.’
Now A Major Motion Picture
Todd McEwen
‘None of these high-falutin pansy-ass would-be 'technologies' are going to save literature.’
Chromium
Primo Levi
‘Life is full of customs whose roots can no longer be traced ... but in any event, why were pig's feet obligatory with lentils, and cheese on macaroni?’
Airports: Frontier Nations
Andrés Neuman
‘1.In the waiting area of the Málaga airport for departing flights, a flock of birds nests on the beams. They fly back and forth across the high ceiling.’
Vanishing Virgil
Maaza Mengiste
‘We want to believe that we will die with dignity; that death is a confrontation and the battle is somewhat fair.’
The Story of a Variation
Milan Kundera
‘I have often heard it said that the novel has already exhausted all its possibilities. I have the opposite impression: that in four hundred years of existence the novel has missed many of its opportunities: it has left many great opportunities unexploited, many roads forgotten, many calls unheard.’