Explore
Sort by:
Sort by:
A.M. Homes | Podcast
A.M. Homes & Yuka Igarashi
Yuka Igarashi talks to A.M. Homes, recipient of the 2013 Women’s Prize for Fiction for the novel May We Be Forgiven.
Abingdon Square
André Aciman
‘Your problem is not that you misread signs; it’s that you see them everywhere.’
Adam Foulds | Interview
Adam Foulds
A short film featuring Adam Foulds, one of Granta’s Best Young British Novelists.
Adam Foulds | Podcast
Adam Foulds
Adam Foulds spoke to John Freeman about how he wanted to be a scientist before discovering writing and his time working in a warehouse as a forklift truck driver.
Adam Thirlwell | Podcast
Adam Thirlwell & Yuka Igarashi
Adam Thirlwell speaks to Granta’s Yuka Igarashi about sex, history, translation, using tempo in novels and how his writing has evolved over the past decade.
After Silk Road
Mike Power
‘The Dark Web is a shadow internet, an unindexed, unseen and lawless corner of cyberspace.’
After the Hedland
Evie Wyld
‘I feel the pull of being alone, of answering to no one, the safety of being unknown and far away.’
After the War
Patrick French
‘My antipathy to military culture started early and it wasn't helped by living in a garrison town.’
Al Alvarez | Interview
Al Alvarez & Ted Hodgkinson
‘I think anything is good for you that makes you laugh.’
Amateur Dramatics
Jonathan Lee
‘I heard the news from a nurse with a piece of tinsel tied around her waist: my father had become a hypochondriac.’
And Yet
Brian Evenson
‘She had waited expectantly for him to tell her a story to illustrate this, and to explain what those values were, but as with so many other things he had left it at that. It lingered in the air, waiting for her to pluck it up, but she had simply let it hang.’
André Aciman | Podcast
André Aciman & Yuka Igarashi
André Aciman reads from the work and speaks to Granta’s Yuka Igarashi about the story, the problem with unreliable narrators and modern poetry, and why self-deception and betrayal are good subjects for fiction.