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Granta China | Interview
Patrizia van Daalen, Peng Lun & Ted Hodgkinson
‘Young perspectives always facilitate access to a culture because they are more easily accepted, and it is easier, most times, to assimilate with them.’
David Heatley | Interview
David Heatley & Simon Willis
‘There’s something magical about a pictographic doodle that’s simple enough to scan and then move on.’
Letters From Two Exit Strategists
Jacob Newberry & Vanessa Manko
‘I feel like I’ll spend a great many years unravelling whatever is being stored inside of me just now.’
Anjan Sundaram and Lindsey Hilsum In Conversation
Lindsey Hilsum & Anjan Sundaram
‘Sometimes we don’t quite know what we’re seeing.’
Brigitte Grignet | Interview
Brigitte Grignet & Daniela Silva
‘Places sitting at the edges of the world are often destroyed in the name of so-called development.’
Erin McMillan | Interview
Erin McMillan & Roy Robins
‘The other important component of the why of writing is that I’ve always been a bit of a liar.’
Jennifer Egan | Interview
Jennifer Egan & Yuka Igarashi
‘It wasn’t an experiment so much as a response to the need to find a way to embody the oddly shaped story I wanted to tell.’
Chinelo Okparanta | Interview
Chinelo Okparanta & Yuka Igarashi
‘I wanted to be sure to approach their resistance to Nnenna’s homosexuality from a practical perspective – one of fear, rather than one of hate.’
Granta Finland | Interview
Aleksi Pöyry & Francisco Vilhena
‘What is often particular to Finnish Weird is that it portrays a realistic, palpable setting which gradually starts to acquire elements of fantasy.’
Madison Smartt Bell | Interview
Madison Smartt Bell & Ollie Brock
‘A lot of my stories are like lint in your pocket.’
Turkish Granta | Interview
Berrak Gocer & Ted Hodgkinson
‘The writings, when they came together, made it very clear that there will always be a new approach to the issue of identity.’
Taiye Selasi | Interview
Yuka Igarashi & Taiye Selasi
‘I was rather surprised to discover that I’d painted such a devastating portrait.’
