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Andrew O’Hagan | Interview
Andrew O’Hagan & Patrick Ryan
‘A lot of journalism was in danger of becoming ‘celebrity writing’, in the sense that the writer and his conscience could become the story.’
Chloe Aridjis | Interview
Chloe Aridjis & Ted Hodgkinson
‘What really struck me was the way the Suffragettes were pathologized, and the way women who took a political stance were deemed ‘hysterical’ in some way.’
Evie Wyld | Podcast
Evie Wyld & Ted Hodgkinson
Evie Wyld talks to online editor Ted Hodgkinson about why living in Peckham makes it easier to write about rural Australia, how memory informs her stories and why she can’t write a novel without at least one shark in it.
Turkish Granta | Interview
Berrak Gocer & Ted Hodgkinson
‘The writings, when they came together, made it very clear that there will always be a new approach to the issue of identity.’
Granta China | Interview
Patrizia van Daalen, Peng Lun & Ted Hodgkinson
‘Young perspectives always facilitate access to a culture because they are more easily accepted, and it is easier, most times, to assimilate with them.’
Al Alvarez | Interview
Al Alvarez & Ted Hodgkinson
‘I think anything is good for you that makes you laugh.’
NoViolet Bulawayo | Interview
NoViolet Bulawayo
‘My love affair with books had turned into a marriage.’
David McConnell | Interview
David McConnell & Patrick Ryan
‘These were deranged acts but they were ultimately based on something that’s historically been treated as a social good, the sense of personal honour.’
Lillian Li | Interview
Lillian Li
‘I don’t think I ever learned how to tell a story in the literal sense.’
Dan Rhodes | Interview
Dan Rhodes & Ted Hodgkinson
‘My work tends to be about people who struggle to understand what’s going on around them. I can’t think why that would be.’
Eric Anderson and Sean Borodale In Conversation
Eric Anderson & Sean Borodale
‘The incendiary elements that start my poems are often something I find shocking, but hopefully not gratuitous.’
Elias Khoury | Interview
Sophia Efthimiatou & Elias Khoury
‘As the reader follows her in and out of consciousness, her history unravels and entwines with religious and social myths, and Lebanese folklore.’
