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Explore Essays and memoir

Brother | State of Mind

Max Porter

‘We don’t often talk seriously or in depth about our childhood these days, but we know we could, and we know what good it did us.’

Chère Madame

Marcel Proust

Marcel Proust’s letters to his neighbour, translated from the French by Lydia Davis.

The Peripatetic Penelope Fitzgerald

Lucy Scholes

Lucy Scholes on the highs, lows and package tours of Booker-prize-winning author Penelope Fitzgerald. ‘Fitzgerald’s life can only be attributed to the caprices of fate.’

Dead in Venice

Masahiko Shimada

‘If I wasn’t a fish spawned in the Brenta river, why was I so compelled to keep returning?’ Masahiko Shimada on his many trips to Venice.

The Myth of Creative Genius

Natasha Pulley

‘There’s a mysticism that surrounds writing fiction.’

Brontez Purnell Is Everything

Michelle Tea

Novelist, zinester, dancer, go-go-boy, punk, filmmaker, actor, performer, Brontez Purnell is everything.

The Tamarind is Always Sour

Keane Shum

‘By law, the more than one million Rohingya in Myanmar are almost all excluded from Myanmar citizenship, making them the largest stateless group in the world.’

Remembering Denis Johnson

J. Ryan Stradal

When people ask me what Denis was like, I always think about how he listened far more intently than just about any writer I’d ever met.

Any Idiot Can Write a Book

Nell Stevens

A production company is looking for contestants to participate in a new TV show, modelled on The Apprentice. They are seeking unpublished writers who have completed a novel.

Introduction

Sigrid Rausing

Sigrid Rausing introduces Granta’s Best of Young American Novelists 3.

The Land In Winter

Madeleine Thien

Madeleine Thien on the occupation of Palestine.

Cats Explain Things to Me | Discoveries

Typo

Take a paws from your busy day for this week’s Discoveries – guest edited by Granta’s very own Typo the cat.

Wendell Steavenson | Is Travel Writing Dead?

Wendell Steavenson

‘Our globalised world of easyJet and Google Translate does not seem to have fostered any greater understanding’

Introduction

Sigrid Rausing

‘Writing about other people doesn’t have to be an exercise of power or a theft of identity.’