Explore essays and memoir
Lauren Aimee Curtis | Notes on Craft
Lauren Aimee Curtis
‘I think that if we knew, really understood, the reasons why certain stories take hold of us, we would have no need for fiction at all.’ Lauren Aimee Curtis shares her notes on the craft of writing.
A Clean, Well-Lighted Place
Peter Stamm & Michael Hofmann
Peter Stamm on the oldest barber in Switzerland, and Michael Hofmann on translating Peter Stamm.
How to Take a Literary Selfie
Sylvie Weil
Sylvie Weil on what it means to take a literary selfie. Translated from the French by Ros Schwartz.
Jianan Qian | First Sentence
Jianan Qian
‘For every witness, history unfolded at some other time, and in some other place.’ Jianan Qian on the first sentence of her story, ‘To the Dogs’.
Little nothings: Nabokov’s road notes
Elsa Court
Elsa Court on why Vladimir Nabokov immersed himself in the all-American world of roadside service stations.
Julia Armfield | First Sentence
Julia Armfield
‘A first line is a threat, I think.’ Julia Armfield on the first sentence of her story ‘Longshore Drift’.
Love After Abuse
Lucia Osborne-Crowley
Lucia Osborne-Crowley on the complexity of navigating sexuality while recovering from sexual abuse.
The Emperor of Ice Cream
Rebecca Tamás
‘Death is terrifying and impossibly big, but life is even bigger – vulgar, relentless, ruthless.’
Lemons in Winter
Mika Taylor
‘I wonder why I am always the last to let go. I wonder if there is any amount that will ever be enough.’
Nina Leger | Notes on Craft
Nina Leger
‘To say nothing about her was the only way to allow her to be everything.’
Bookshelves: John Berger in My Family Album
Amitava Kumar
‘The contours of the family arranged on the bookshelf shifted.’
H+
Matthieu Gafsou & Daisy Hildyard
‘It’s a shadow-world: strangely familiar, all the same.’ Daisy Hildyard introduces Mattieu Gafsou’s photoessay on transhumanism.
A Woman Screaming
Saskia Vogel
‘I realized that neither revenge nor compulsive storytelling would release me from this pain.’
Going Home
Raja Shehadeh
Read an excerpt from Raja Shehadeh’s Going Home, a reflection on ageing, failure, the occupation, and the changing face of Ramallah.
Karen Olsson | Notes on Craft
Karen Olsson
Karen Olsson shares her notes on the craft of writing: ‘Every book is an unsolvable problem, and yet every time I convince myself I’m just on the verge of cracking it.’
Night on Fire
Darcey Steinke
‘I know what’s going to happen and I know that it’s going to be bizarre.’
Stuck in Trees (with Apologies to Ian Frazier)
Jessica Francis Kane
‘On 8 January 2018, I noticed a large bunch of purple balloons in a tree near my apartment building.’
The Resurgence of the Monstrous Feminine
Hannah Williams
‘Despite the sheer and uncommunicable amount of violence enacted upon the female body throughout history, it’s woman as terroriser, as beast, that we keep coming back to.’
Boxing
Fatima Farheen Mirza
Fatima Farheen Mirza on navigating gender roles in a Muslim family, wearing hijab and learning how to box.
The Way to the Sea
Caroline Crampton
‘Alone in the silent dark, she traversed the mouth of the estuary in mile-long sweeps, making a little more progress up the river each time she turned. Wind and tide were pushing her away, back towards the sea.’
Mother and Son:
Life and Fate
Robert Chandler
‘Nothing made her happier than to sacrifice herself for her son’s happiness.’
Distributed Denial of Service
Merritt Tierce
‘Once you learn to seal the shell, to make it watertight, you can let anything roil around in there.’
The Ungrateful Refugee
Dina Nayeri
‘I was born in 1979, a year of revolution, and grew up in wartime.’ Dina Nayeri on growing up in the Islamic Republic of Iran.
How I Write My Books
Anne Serre
Anne Serre on how she writes. Translated from the French by Mark Hutchinson.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness
Zanele Muholi & Anne McNeill
‘Zanele Muholi is a photographer, often described as one of the most powerful visual activists of our time, and a long-time advocate for their black LGBTQ+ community.’
To Zinder
Sven Lindqvist
Obsessed with a single line from Conrad’s The Heart of Darkness – Kurtz’s injunction to ‘Exterminate All the Brutes’ – Sven Lindqvist set out across Central Africa, and wrote a book that revealed precisely what Europe’s imperial powers had exacted on Africa’s people over the course of the preceding two centuries.
