Explore essays and memoir
In the Valley of Coachella
Susan Straight
Novelist Susan Straight and photographer Douglas McCulloh on the presidential streets of the ‘real’ Coachella
Who Killed Tolstoy?
Elif Batuman
‘I walked along the birch-lined alleys of Yasnaya Polyana, looking for clues. Snakes were swimming in the pond, making a rippling pattern. Everything here was a museum.’
Pay for Your Words
Peter Pomerantsev
Peter Pomerantsev downloads his Facebook data. ‘We seem to be caught in a trap: the more we use a word, the more we will be charged for it.’
Danny Denton | Notes on Craft
Danny Denton
‘My tuppence on craft is this: as a writer, you must give your reader space to experience the world of your story (whatever form it takes)’
A Mischief of Rats
Joanna Kavenna
‘They slept curled together in a hammock, little scraps of fur, hearts beating madly.’ Joanna Kavenna on her pet rats, Kat Bjelland and Courtney Love.
The Great Israeli novel of War and Doubt
Anne Meadows
Granta editor Anne Meadows writes about Khirbet Khizeh, the great Israeli novel of war and doubt.
The one/many problem
Daisy Hildyard
‘Other creatures literally stop me breathing. There are so many of them, and only one of me.’ Daisy Hildyard writes about her research into the animal kingdom.
Kestrel
Cynan Jones
‘A kestrel is not domestic. The one time I tried affection the bird put his beak through my lip.’
Poppy
Caroline Criado-Perez
'I never worried about my flat catching fire before Poppy came along.' Caroline Criado-Perez on her pet Poppy.
It’s Only Skin
Lily Dunn
‘I knew what it was to be an object of desire, and to be submissive.’ Lily Dunn on being a painter's model as a girl.
Climb the Mountains
Apricot Irving
'Harm that comes through the hands of those we love must be wrestled with; it does not simply disappear.'
20/20
Tatyana Tolstaya
'I didn't start out a writer, and had no plans of becoming one.' Tatyana Tolstaya, translated from the Russian by Anya Migdal
Lisa Moore | Notes on Craft
Lisa Moore
‘I wanted to explore what a “likeness” is, and how the act of capturing a person through a portrait might compare to writing a character.’
Moose Magic
Téa Obreht
Téa Obreht on a chance encounter with a moose in Wyoming, for Granta 142: Animalia
A Not-So-Pretty History of Pet Care
Daniel Magariel
‘One day after the next I would figure out what was needed, learn from my mistakes, pay attention to what worked.’
Cumbrian Fell Pony
Sarah Hall
Sarah Hall writes about the Cumbrian fell pony for Granta 142: Animalia.
American Maniac
Rebekah Frumkin
‘I would peel wrappers off sandwiches, remove noodles from their boxes, fry up meat before any authorities had the chance to track me and my bounty down.’
The Agony and Ecstasy of Escape
Will Boast
Will Boast on how Bernini's Apollo and Daphne helped him write his latest novel
Broken Animals
Britta Jaschinski
‘These bored, frustrated and hungry animals appear as reluctant figures in some unsolvable puzzle, or as victims of a grand experiment whose original purpose is lost in time.’
Slaughterhouse
Arnon Grunberg
‘I wonder whether there’s a real moral difference between killing an animal and killing a human being.’ Translated from the Dutch by Sam Garrett.
On Coyotes
Diane Cook
‘There is something about the presence of coyotes that makes any place feel wilder than it is.’
A Moveable Beast
Helge Skodvin & Ned Beauman
‘Taxidermy offers animals both a second life and a second harassment by the Anthropocene.’ Ned Beauman introduces the photography of Helge Skodvin.
Tyger, Tyger
Aman Sethi
‘A man-eating tiger was on the prowl when I arrived in Pilibhit one rainy evening in September.’
Dog
Nadeem Aslam
‘More than once the new dog was aggressive, a stab of fire, but I did not tell the grown-ups. I feared they would take him away.’
Winterkill
Cal Flyn
‘Wildlife foundations find themselves calling for the deaths of tens of thousands of wild animals.’
Swifts
Adam Foulds
‘Swifts come closer than any other creature to living in the sky and having air and ceaseless movement as their home.’
Animal Studies
Elliot Ross & Alexander MacLeod
‘The title of this series of photographs is Animal Studies, but I am not sure about that second word. A noun or a verb? A thing or an action? Are these studies of animals or are these animals studying?’ Alexander MacLeod introduces the photography of Elliot Ross.
The Farmer’s Son
John Connell
‘I’m twenty-nine and I’ve never delivered a calf myself. But that’s all about to change’
