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Interview
Brea Souders & Alice Zoo
‘How would I feel if I had messaged for years with someone that I later found out was an AI?’
Brea Souders speaks to Alice Zoo about chatbots, interconnection and the dialogue between photography and text in her work.
New Kindness Hatching
Jesse Glazzard & Anthony Vahni Capildeo
‘The invisible artist who invites us to stand beside him is clearly among friends; being kind, being of a kind; witnessing with-ness.’
Jesse Glazzard photographs Camp Trans, with an introduction by Anthony Vahni Capildeo.
A Woman I Once Knew
Rosalind Fox Solomon & Lynne Tillman
‘These are not gentle, passive female bodies. They are strong women who strike poses that show aggression.’
Lynne Tillman introduces Rosalind Fox Solomon’s self-portraits.
The Weight of the Earth
Debmalya Ray Choudhuri & John-Baptiste Oduor
‘The presence of another person at the scene is suggested. The image invites you to imagine their position and to mentally assume it.’
Photography by Debmalya Ray Choudhuri, introduced by John-Baptiste Oduor.
It Is Decidedly So
Sara Baume
‘There is always a cat sitting on the kitchen windowsill, in the background of every ordinary and extraordinary event, a softly focused silhouette, a pair of piercing eyes.’
Sara Baume responds to twenty-nine photographs from Magnum Photos.
The One It Came All This Way For
Victoria Adukwei Bulley
‘all the furs & bright feathers won’t beat / the sunlight on my face like I’m the one it came / all this way for’
Victoria Adukwei Bulley writes four poems in response to twenty-eight photographs from Magnum Photos.
Sakraman
Derek Owusu
‘Between the boy and the fox there were no names.’
Fiction by Derek Owusu, in response to twenty-nine photographs from Magnum Photos.
Working the Soil and the Cloud
Danny Franzreb & Atossa Araxia Abrahamian
‘Like all money, Bitcoin is valuable only to the degree that people believe in its value.’
Photography by Danny Franzreb, introduced by Atossa Araxia Abrahamian.
The Last Freeminers of England
William Atkins & Tereza Červeňová
‘It is a principle of freemining that you leave nothing of value on site, nothing other than the mine itself, which is of value only to a freeminer.’
William Atkins visits the Forest of Dean, with photography by Tereza Červeňová.
Death by GPS
Salvatore Vitale
‘The old romantic warning not to trust a machine more than one’s own intuition has renewed urgency in the digital age.’
Photography by Salvatore Vitale, introduced by Granta.
Interview
Teju Cole & Alice Zoo
‘Each successive image has to have the simultaneous feeling of being unanticipated and of being right.’
Teju Cole speaks to Alice Zoo about sequencing, portraiture, and the interplay between image and text.
You’re a Londoner
Kalpesh Lathigra & Guy Gunaratne
‘For you, an image makes sight sacrosanct. It wasn’t always like that.’
Guy Gunaratne introduces photography by Kalpesh Lathigra.
