Dinaw Mengestu talks about how he came to write ‘Big Money’, his contribution to Granta 108, his forthcoming novel, his relationship with his hometown, Chicago, and his inspiration as a writer.
In this interview with Granta, the award-winning novelist Dinaw Mengestu talks about how he came to write ‘Big Money’, his contribution to Granta 108, his forthcoming novel, How to Read the Air, his relationship with his hometown, Chicago, a ‘city layered with complexity’, and his inspiration as a writer.
Photograph © Anne-Emmanuelle Robicquet
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘When it came to our son, her defensive instincts were well-developed and all the more necessary because it was hard from the outside to see why we were so protective.’
‘In a city as sprawling and as proud of its architectural grandeur as Chicago, such an emphasis on size seemed only fitting.’
