Granta | The Home of New Writing

SO WHAT

Introduction

Thomas Meaney

‘The Generations issue of Granta offers different age cohorts a chance for mutual inspection.’

Thomas Meaney introduces the issue.

Repetition

Vigdis Hjorth

‘The people she longed to be understood by, the ones at whom her anxious hope was pinned, were her parents.’

Fiction by Vigdis Hjorth, translated by Charlotte Barslund.

Ecce Senex: Stephen James Joyce

James Scudamore

‘He was “a Joyce, not a Joycean”, yet considered himself the supreme arbiter of what constituted valuable Joyce scholarship. At the same time, he admitted that he rarely read anything in full.’

James Scudamore on trying to ghostwrite Stephen James Joyce's memoir.

The Sensitivity Reader

Andrew O’Hagan

‘Human nature is not improved by concealment, especially when it comes to the past.’

A short story by Andrew O’Hagan.

The Millennial Mind

Anton Jäger

‘Millennials were more than willing to bargain by riot.’

Anton Jäger evaluates the millennial generation.

Nearly White Girl Girling on Behalf of Sonic Fluency

Eve Esfandiari-Denney

‘I hope to hear the spirit of my mother’s native pessimism faintly pass through a line of translated poetry’

Poetry from Eve Esfandiari-Denney.

Yr Dead

Sam Sax

‘Behind the 7/11 after dark, anything is possible.’

Fiction by Sam Sax.

A Good First Marriage is Luck

Sheila Heti & Phyllis Rose

‘Life is so difficult. It may take more than one creature to sustain one life.’

Sheila Heti in conversation with Phyllis Rose.

You’re a Londoner

Kalpesh Lathigra & Guy Gunaratne

‘For you, an image makes sight sacrosanct. It wasn’t always like that.’

Guy Gunaratne introduces photography by Kalpesh Lathigra.

Stalin, Lenin, Robespierre

Brandon Taylor

‘He tried to think about what sort of person he wanted to be in this world and how he might bring that about.’

Fiction by Brandon Taylor.

Proper Country

Ralf Webb

‘It was by necessity, not choice.’

Ralf Webb on returning to the West Country.

[3. Ekphrastic]

Nam Le

‘Tinge of colour decay.’

Poetry by Nam Le.

Lifetimes of the Soviet Union

Yuri Slezkine

‘Bolshevism, like most millenarian movements, proved a one-generation phenomenon.’

Yuri Slezkine on Soviet history and the generational arc of revolution.

The Attaché’s Wife

Karan Mahajan

“I’m from here. I grew up here. In fact, that’s why the government invited me back for this work.”

Short fiction by Karan Mahajan.

Isabel

Lillian Fishman

‘Diana saw that Lucy’s appeal was in the nostalgia of her looks: Hers was a teen beauty, at home nowhere more than in a miniskirt.’

Fiction by Lillian Fishman.

The Full Package

Zoe Dubno

‘I wasn’t against fashion; I wasn’t one of those people who need to make it into a whole statement about their intellect.’

Fiction by Zoe Dubno.

Shooting Stars in Your Black Hair

Joanna Biggs & Jack Latham

‘To be in a hair salon is to be bubble-wrapped against the world – or at least that’s the fantasy.’

Joanna Biggs on salons, intimacy and the photography of Jack Latham.

Ricks & Hern

Nico Walker

‘Naturally, no partnership is perfect. Certain pieces will be at odds – you’ll have that.’

Fiction by Nico Walker.

Niamey Nights

Rahmane Idrissa

‘The first time I heard of generations, they were likened to the loops of a ribbon.’

Rahmane Idrissa on photography and music in the Sahel.

The Life, Old Age and Death of a Woman of the People

Didier Eribon

‘How little one knows, really, about one’s parents.’

Memoir by Didier Eribon translated by Michael Lucey.

David Attenborough

K Patrick

‘Motherhood is this chapter, / we all love a mother, / disastrous as it is.’

Poetry by K Patrick.

The Trouble with Old Men

Samuel Moyn

‘The choicest parts of the world’s richest cities, according to demographers, are dense with aged residents.’

Samuel Moyn on gerontocracy.

Calais to Dover

Jana Prikryl

‘If you need a renewable resource / then look in the direction of the sea. / It’s deep as feelings you didn’t know you had.’

Poetry by Jana Prikryl.

Five O’Clock Somewhere

Gary Indiana

‘It’s when things fail to return to normal, that finally you get it: this is normal.’

Gary Indiana on growing older.

And That’s How I Became a Woman

Vigdis Hjorth

‘Finn Lykke opened the door wearing jeans and a freshly-ironed, white shirt, he had made an effort.’

Fiction by Vigdis Hjorth, translated by Charlotte Barslund.

And Of The Son

Rachel Connolly

‘There’s something in her face. Adoration? I mean, she’s drunk. But she clearly has a thing for me.’

Fiction by Rachel Connolly.

Gettysburg

Jessi Jezewska Stevens

‘One did not have high hopes for Gettysburg. Nor for Pennsylvania in general. Having grown up in Indiana, Diana felt she’d earned her condescension.’

Fiction by Jessi Jezewska Stevens.

Cult

Marcus Ong Kah Ho

‘The parties always had a good mix of men and women, although more often than not there were more good-looking women than men.’

Fiction by Marcus Ong Kah Ho.

From Zanzibar to Marbach

Abdulrazak Gurnah

‘The tragedies inflicted on the people of East Africa as a result of European rivalries are belittled and forgotten.’

Abdulrazak Gurnah on German East Africa.

What the Germans Left Behind

Anna Parker

‘My Czech family’s house stands on a geopolitical rift: it occupies a place the political storms sweep through, uprooting everything that is settled.’

An essay by Anna Parker.

Solo Poly

Sophie Frances Kemp

‘When you are a female this is what happens: if you are not selected to be a mate by age twenty-seven, you are asked to get on the bus.’

Fiction by Sophie Frances Kemp.

The Legion

Shaun Wilson

‘A should probably write that it hit uz like a smack in the guts, or the red mist cem down or sumet like that, but in all honesty, a can just remember feelen upset.’

New fiction by Shaun Wilson.

Internal Affairs

Andrea Brady

‘The burden in law on the pregnant person is to show that they are at risk, in need; they must ask, and hope, rather than demand.’

Memoir by Andrea Brady.

In Conversation

Lisa Robertson & Kate Briggs

‘The description becomes a psychic image, a political image of transformational potency.’

Kate Briggs and Lisa Robertson discuss becoming novelists, description as a political tool, and endings.

Not a River

Selva Almada

‘He takes the knife, cuts the barb from the body, sends it back to the depths of the river.’

An extract from Not a River by Selva Almada, translated by Annie McDermott.