Granta | The Home of New Writing

A Perfect Cemetery

Lost Children Archive

Valeria Luiselli

An extract from Lost Children Archive by Valeria Luiselli, nominated for the Rathbones Folio Prize.

Absolution

Adriana Carranca

A former child soldier in the Lord’s Resistance Army tells his story.

Notes on Craft

Deb Olin Unferth

‘People (not me) seem to find chickens inherently funny.’

From the Spanish Flu to Covid-19

Reina James

Reina James compares our response to Covid-19 to the reaction to the Spanish Flu in 1918.

Interview

Teju Cole

‘What is this elsewhere that one is longing to be in? Part of the answer to this question, for me, is Switzerland.’

Barn 8

Deb Olin Unferth

A novel exploring the terrible logic of the US egg industry.

The Knowledge

Barclay Bram

Barclay Bram on the infamous London black cab exam, and how communal knowledge is changing.

Solo

Ingrid Persaud

‘I wanted her to see me as a real man, with a little swagger, cool as this fall evening.’

An excerpt from Ingrid Persaud’s Love After Love.

An Evening of Martyrdom

Golnoosh Nour

New fiction from Golnoosh Nour’s debut collection about the lives of young, queer Iranians.

The Beach

Laura Cumming

An excerpt from On Chapel Sands, which has recently been shortlisted for the Rathbones Folio Prize 2020.

Vertigo & Ghost

Fiona Benson

Two poems by Fiona Benson, whose Vertigo & Ghost is shortlisted for the Rathbones Folio Prize 2020.

Red Sands

Caroline Crampton

‘They appear against the horizon as the boat slowly sweeps closer into the estuary.’

Caleb Klaces | Notes on Craft

Caleb Klaces

Caleb Klaces on being inspired by Van Gogh’s third image, found during the X-ray scanning of one of Van Gogh’s early, repainted canvases.

The Orphans

Don Mee Choi

‘One starless night, I was stranded. Needless to say, foreigners are often stranded.’

A Source

Frances Leviston

‘The next editor of the university newspaper was chosen each year by a panel.’

A new short story by Frances Leviston, from her forthcoming collection The Voice in My Ear.

The Great Homecoming

Anna Kim

Read an excerpt from The Great Homecoming by Anna Kim, a novel of love and loss in the wake of the Korean war.

Two Poems

Paul Batchelor

‘Unable to escape, I learned to see. / The price of clarity.’

In Conversation

Fernanda Melchor & Sophie Hughes

‘It’s easy to forget the power of words in an era ruled by profuse, beautiful and entrancing images.’

I, Minotaur

Natalie Diaz

‘There is no such thing as time or June, / only what you’re born into’

A new poem by Natalie Diaz.

Two Poems

Jenny Xie

‘Colors unstudied where human activity hasn’t yet / congealed’

Two new poems by Jenny Xie.

Sing Stone, Speak Fire

Dan Bradley

‘The emergency cords have been removed from the carriages for some time.’

A new story by Dan Bradley.

Jem Calder | Notes on Craft

Jem Calder

‘I wrote in the address bar of my web browser, in spreadsheet cells, in emails I addressed to myself.’ Jem Calder on writing fiction at his day job.

Enoki

Aoko Matsuda

‘Without any forewarning or explanation, people suddenly began visiting. They came in droves to find her.’

A story by Aoko Matsuda, translated by Polly Barton.

Introduction

Sigrid Rausing

‘We take our theme from Pwaangulongii Dauod’s remarkable eulogy to the late Kenyan writer Binyavanga Wainaina.’

Editor Sigrid Rausing introduces Granta’s 150th issue.

The Lost Performance of the High Priestess of the Temple of Horror

Carmen Maria Machado

‘The light pouring from the open door throbbed like a bruised thumb.’

New fiction from Carmen Maria Machado.

Carolyn

Andrew O'Hagan

‘Where was Denver in all of this, or the wide open road to Mexico, or the woman, hip to the souls of sensitive men, who was played on-screen by Sissy Spacek and later by Kirsten Dunst?’

Andrew O’Hagan remembers Carolyn Cassady, beat writer and widow of Neal Cassady.

Scheherazade Conjoining (31)

Jay Gao

‘Thank any God, our emergency is celestially authorised’

New poetry by Jay Gao.

How to Count Like a Pro

Amy Leach

‘Clocks are the consummate counters, even better than bankers because they never sleep and especially they never dream.’

A lecture to animals by Amy Leach.

A Portrait of My Mother

Michael Collins (Photographer)

Photographer Michael Collins on his mother’s life following a series of strokes.

The Story of Anya

Mazen Maarouf

‘The dreams were packed together like coloured soap bubbles.’

Short fiction by Mazen Maarouf, translated from the Arabic by Jonathan Wright.

An Instrument of Pure Motion

Tommi Parrish

‘They say they are too busy but actually they are too busy for you.’ A story by graphic novelist Tommi Parrish.

The Young Entrepreneurs of Miss Bristol’s Front Porch

Sidik Fofana

‘Every black girl on my block was waitin to get a look at Kandese when she first come for the summer. Her grandmuhva told us she hit a teacher with a ruler and got kicked out of her school in Harlem.’

Fiction by Sidik Fofana.

Why We Walk

Ian Willms & Adam Foulds

‘There are glimmers of the reality beyond, the promise of redemption even in the darkest places.’

Adam Foulds introduces the photography of Ian Willms.

Yena

Che Yeun

‘Close, the way any two girls around here grow close, because there isn’t much else to do, and anyone who makes you forget how little there is to do, anyone who makes your heart race, is someone you suddenly cannot live without.’

Short fiction by Che Yeun.

Binyavanga

Pwaangulongii Dauod

‘There are many writers, including myself, who owe their careers to Binyavanga. He was the most generous writer of his generation.’

Pwaangulongii Dauod remembers the late Binyavanga Wainaina.