Granta | The Home of New Writing

The Interrogation

Letter from Gaza

Hisham Matar

‘It is difficult not to see the assassination of Ghassan Kanafani as an attempt to obliterate the Palestinian narrative.’

Seen

Fanny Howe

‘Every cupboard is old, / every glass and cup / wiped clean.’

Two Tides

Eleanor Catton

‘The harbour at Mana was a converted mudflat, tightly elbowed and unlovely at any tide but high.’

In the Crossfire

Ha Jin

‘Meifen had never imagined that his life could be so fragile.’

American Subsidiary

William Pierce

‘He was typing up another proposal for robots that would replace human workers in an engine factory.’

Dragon Island | New Voices

Laura Fellowes

‘This is a wartime story. It is the spring of 1943 and Europe is burning; look down and see.’

A Vacation From Myself

John Beckman

‘My every next thought took a melancholy detour through drippy forests of humid emotions, often never to return’

Getting Lost

Heidi Julavits

‘We continued to ski. The bon vivantedness of our exchanges became increasingly coded with a double-edged worry. Would we have to spend the night in the woods?’

The Last Modernist

Chris Petit

‘If there were any sense of cultural justice in this country, the Westway – that chunk of concrete modernism – would be renamed after J.G. Ballard.’

Original Message

Austin Grossman

‘So tomorrow we might be on the same side. Unless you’re a triple agent, in which case we already were on the same side.’

Teenager

Wislawa Szymborska

‘I know much more — / but nothing for sure.’

Lost and Found

Je Banach

‘And yet, despite the overwhelming evidence of Lamb’s influence on contemporary writing, the nineteenth-century superstar has been largely ignored and mostly forgotten.’

A letter from Kazuo Ishiguro

Kazuo Ishiguro

The letter that accompanied Ishiguro’s first submission to Granta.

Susan Orlean and Saïd Sayrafiezadeh in Conversation

Saïd Sayrafiezadeh & Susan Orlean

Susan Orlean and Saïd Sayrafiezadeh discuss the difficulties of turning personal narratives into book-length projects.

Subject+Object

Jan Morris

‘The sea runs through our house – not literally, of course, but metaphorically, or perhaps emotionally.’

Story of My Life

A.L. Kennedy

‘Story of my life – maybe – going to the dentist.’

Among the Pipemen

Andrew Martin

‘It was as though, after a period of wariness, my pipe had warmed to me.’

Censored

Bruce Connew

‘It was an isolated incident, and there had been no official or unofficial communication about it.’

The Silkworms

Janet Frame

‘Nothing has changed, Edgar said. What new event is written into their history? None. Where is their future? Nowhere. Are they against or for progress? It was dark when Edgar took the box outside down to the rubbish heap and sprinkled the dead moths upon the ashes of the diseased pawpaw.’ Janet Frame on an unsettling natural process.

A Ghost Story

Rick Gekoski

‘It drives me crazy when I can’t make it stop.’

Keeping it in the family

Saïd Sayrafiezadeh

‘He had abandoned me, after all, when I was nine months old, mostly so that he could devote his time, energy and money to the cause of workers’ revolution.’

Ablutions

Patrick deWitt

An animated video including a reading from Patrick deWitt’s novel Ablutions.

Hal Crowther | Portrait of My Father

Hal Crowther

‘Only rarely and providentially do the vices of the fathers fail to be visited on the sons.’

Agnés

René Belletto

I met Agnès Magellan (a distant relative of the discoverer of new worlds? No, though...

Christopher Sorrentino | Portrait of My Father

Christopher Sorrentino

‘Those who strongly resemble one parent will recall the unsettling feeling of gazing into old photos and seeing, in relation to themselves, not the remote similarity of the grown-up sitting across the dinner table, but an exact likeness.’

Keeping it in the family

Claire Vaye Watkins

‘My father first came to Death Valley because Charles Manson told him to.’

Two Poems

Jack Gilbert

‘Loneliness is the mother’s milk of America. / The heart is a foreign country whose language none / of us is good at. ’

Alexander Chee | Portrait of My Father

Alexander Chee

‘He left for the US while his father was away on business so he couldn’t stop him.’

Onboard the US Coast Guard Cutter Dallas

Michael Peel

Photographs from onboard the US Coast Guard Cutter Dallas.

Paradox of Plenty

Michael Peel

‘The blend of volatile domestic politics and geostrategic oil interests is at best opaque and at worst thoroughly corrosive of all involved.’

Jess Row | Portrait of My Father

Jess Row

‘Settled and habit-prone, he nonetheless loves to see new life springing up – and, in this case, dropping right into his arms.’

Fly Away Home

Paul Currion

‘Welcome to Kurdistan, Mr Bond.’