Granta | The Home of New Writing

Blue Jay

Bilal Tanweer | Interview

Bilal Tanweer & Ollie Brock

‘In my writing, the voice is the primary concern for me, and most of the time I construct everything else from it.’

After That, We Are Ignorant

Bilal Tanweer

‘He used to see things in his dreams and made them his policies. Yup, Americans loved his dreams because he was screwing the Soviets and Comrades in them.’

Granta em Português | Interview

Ollie Brock, Robert Feith & Marcelo Ferroni

‘It’s been a rich, multifaceted, very challenging and hugely rewarding professional experience.’

Colombia | Snapshot

Jaime Manrique

‘Two obsessions dominated my life during adolescence: to become a writer and to find my true love.’

Guatemala | Snapshot

Eduardo Halfon

‘The roads of Guatemala have always been its best and worst theatre.’

Carlos Yushimito and Santiago Roncagliolo In Conversation

Carlos Yushimito & Santiago Roncagliolo

‘We shouldn’t just study people through their archives, but also by being witness to their dreams.’

El Salvador | Snapshot

Horacio Castellanos Moya

‘Don’t mind the sun that beats leadenly down, or the light that stings their eyes, or the danger that lurks nearby, because that’s what life has always been: a little air gulped down amid the crowd.’

Tropics of Redemption

Oscar Guardiola-Rivera

‘Lest we forget: the novel was invented in Spanish. We entered modern times through the spirit of a novel written in that language.’

Foreword

Valerie Miles & Aurelio Major

The foreword for Granta 113: Best of Young Spanish Language Novelists.

Cohiba

Lucía Puenzo

‘She would leave everything behind not to lose him.’

Stars and Stripes

Santiago Roncagliolo

‘He chewed on the syllables until they sounded the way they did in movies.’

After Effects

Oliverio Coelho

‘Iván tried not to keep still.’

The Coming Flood

Andrés Barba

‘When it happens, she gets the feeling that the men, for her, are a way to cling to life.’

The Place of Losses

Rodrigo Hasbún

‘I’m getting a divorce, I’m considering a divorce, I think I want a divorce.’

Conditions for the Revolution

Pola Oloixarac

‘Everything is there and not there at the same time.’

The Hotel Life

Javier Montes

‘The room was outside almost everything, certainly outside the law.’

Gigantomachy

Pablo Gutiérrez

‘There’s no finding a telephone booth with anything more than an amputated cable hanging like a terrible extremity.’

After Helena

Andrés Neuman

‘What can damage us more? The blunt honesty of hatred, or the thwarted objective of reconciliation?’

Eva and Diego

Alberto Olmos

‘Spending is about the fear of dying.’

The Survivor

Sònia Hernández

‘I should have died six years ago.’

Scenes From A Comfortable Life

Andrés Ressia Colino

‘That nothing that’s consumed is real; what’s real is expensive, and gets consumed slowly.’

Seltz

Carlos Yushimito

‘I thought I’d found the answer to many of life’s mysteries, but I had no words to share with the world.’

The Girls Resembled Each Other in the Unfathomable

Carlos Labbé

‘That’s what I was fated to discover. That we’ll never be allowed to experience a desire that we simply can’t handle.’

In Utah There Are Mountains Too

Federico Falco

‘No one had ever spoken her name in a foreign language.’

Small Mouth, Thin Lips

Antonio Ortuño

‘This circumstance, death, will not detain my evolution.’

Gerardo’s Letters

Elvira Navarro

‘The last thing I feel like doing now is going in search of the gnome.’

The Bonfire and the Chessboard

Matías Néspolo

‘I’m not a snob, it’s just that down here we take chess seriously.’

The Cuervo Brothers

Andrés Felipe Solano

‘I was Mister Average, right on the borderline.’

Olingiris

Samanta Schweblin

‘Sometimes she lied. She didn’t do it maliciously; she did it to pass the time.’

Ways of Going Home

Alejandro Zambra

‘It was hard for me to understand how someone could live alone.’

A Few Words on the Life Cycle of Frogs

Patricio Pron

‘I wasn’t going to abandon the dream of literature, I was going to keep dreaming.’

Introducing Andrés Neuman

Roberto Bolaño

‘When I come across these young writers it makes me want to cry.’

Rose Tremain | Interview

Rose Tremain & Ollie Brock

‘I think, on a desert island, what I’d really appreciate are long books: books as day-by-day companions, to combat loneliness and fear.’

Kseniya Melnik | Interview

Ollie Brock & Kseniya Melnik

‘I wanted to write a story about the levels of pain, the ways people describe and explain sickness, and to what lengths they go to find a cure.’