The lighthouse is petrified in affectionate memory. Its image has been used so often–by charities,...
The lighthouse is petrified in affectionate memory. Its image has been used so often–by charities, building societies, churches, fish-and-chip shops–that it has long since become a shorthand emblem of reassurance. It stands in our imagination as a pale remote tower, stuck in the middle of a feat…
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
‘We decided then to tell each other exactly how a typical fuck played out in our marriages. We couldn’t believe we’d never done this before.’
Fiction by Miranda July.
‘What does that mean, vegan cheese? asks a lady who’d had no query about amuse-bouche.’
An extract from The Alternatives by Caoilinn Hughes.
‘It’s true that public sex and cruising can be complicated, but I still believe in the solidarity that a look can forge between people.’
Amelia Abraham and Jack Parlett discuss cruising, nostalgia and the privatisation of public sex.
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘If all things were equal, what were we even doing here? Why weren’t we lying on our living-room floors, watching the dance of the dust, today and every day?’
Memoir by Noreen Masud.
‘The threat of Fujimori was well hidden. There was nothing we could do: the die was cast.’
