Photograph © Hasnain Kazim
A compilation of some of the best readings of 2011, including Binyavanga Wainaina reading from his memoir One Day I Will Write About This Place, Robert Coover’s reading of his online story ‘Vampire’ and Granta debut contributor Taiye Selasi's reading of ‘The Sex Lives of African Girls’.
Photograph © Hasnain Kazim
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →George Saunders talks about allowing his characters access to goodness, why he avoids ‘auto-dark’ in his stories, and the death of David Foster Wallace.
Helen Oyeyemi speaks to Ted Hodgkinson about the joys of writing from a male perspective, magic in her work, and how as a girl she wrote alternate endings to the classics.
Colin Robinson reads from his memoir ‘Paddleball’ in Granta 122: Betrayal and talks to Ted Hodgkinson about how an old brotherly friction re-emerged during a game in New York, and how gym culture has changed the way we view our bodies.
Here Deborah Levy spoke to online editor Ted Hodgkinson about why as she wants to resist anything resembling a comfort zone and why writing fiction is about ‘finding reasons to live’.
Jeet Thayil talked to online editor Ted Hodgkinson about being shortlisted for the Booker, the images of Christ woven into his novel Narcopolis and an unexpected digression on Blade Runner.
‘I had somehow compartmentalised my mind: nature and my farm landscape stood either side of a deep chasm.’
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