Granta’s Deputy Editor Ellah Allfrey interviewed author Ngũgĩ wa Thiong’o at New Beacon Books about his childhood in rural Kenya and his piece in the new Granta – an extract of upcoming memoir Dreams in a Time of War.
Photograph © UCI UC Irvine
Granta’s Deputy Editor Ellah Allfrey interviewed author Ngũgĩ wa Thiong’o at New Beacon Books about his childhood in rural Kenya and his piece in the new Granta – an extract of upcoming memoir Dreams in a Time of War.
Photograph © UCI UC Irvine
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘Finally! I thought. Now I get to work in a big factory. I was fifteen and a half years old. I was a child laborer.’
Xiao Hai on coming of age in the factories of Shenzhen, translated by Tony Hao.
‘I went to Enid’s funeral and there was a mole on the coffin and it seemed / aware of us but unconcerned.’
Two poems by Fee Griffin.
‘You live at the track, your life is full.’
An excerpt from Kathryn Scanlan’s new work of fiction, Kick the Latch.
‘This made me big thirteen, the type to be able to drink mead on Epitaph Day if I wanted.’
A story by Okwiri Oduor.
A Kenyan journalist falls in love with the Tizita, popularly called Ethiopian blues, in this extract from Mũkoma Wa Ngũgĩ’s new novel.
‘The description becomes a psychic image, a political image of transformational potency.’
Kate Briggs and Lisa Robertson discuss becoming novelists, description as a political tool, and endings.
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