It comes back in different ways. But this more than any other.
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‘It is obvious now that we can have no control over our journey, or its end.’
It comes back in different ways. But this more than any other.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Ross Raisin was born in Yorkshire. He has written two novels, Waterline and God’s Own Country.
More about the author →‘A few drivers had slowed to look up at the side of the coach as it circled the roundabout.’
‘Ducks are very sexual creatures. Domestic ducks, unlike wild ones, are polygamous.’
‘I was up at 5.30 this morning, to screaming, and it’s afternoon now and I’m covered in hummus and struggling to muster the energy to remove it from myself.’
Ross Raisin discusses how he evokes place and inhabits characters in his writing, the difference in his approaches to novels and short stories and his work on his forthcoming novel.
A selection of Granta contributors discuss the books they read in 2012.
‘Hey, Nagaoka, wanna start a new cult with me?’
New fiction by Sayaka Murata, translated from the Japanese by Ginny Tapley Takemori.
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