Photograph © Nadav Kander
Ross Raisin discusses how he evokes place and inhabits characters in his writing, the difference in his approaches to novels and short stories and his work on his forthcoming novel.
Photograph © Nadav Kander
‘There’s this paradoxical nostalgia where even though yi suffered, yi miss it.’
Memoir by Graeme Armstrong.
‘She boils her sentences down to high-sucrose sweeties and calibrates her tone for maximum engagement.’
Fiction by Natasha Brown.
‘The monstrous years of my late teens lay lined up alongside the rest of my life like bullets in a gun.’
A story by Sophie Mackintosh.
‘Without waiting for me she removes her white shirt. Each button a piece of my own spine, undone.’
Fiction by K Patrick.
‘I followed him onto the dancefloor and he put his hands on my hips as if he’d known me for at least an hour.’
Fiction by Saba Sams.
Ross Raisin was born in Yorkshire. He has written two novels, Waterline and God’s Own Country.
More about the author →Yuka Igarashi is the former managing editor at Granta and was issue editor of Granta 127: Japan. She has taught fiction writing at various universities including Columbia and Parsons The New School for Design in New York.
More about the author →‘Ducks are very sexual creatures. Domestic ducks, unlike wild ones, are polygamous.’
‘I was up at 5.30 this morning, to screaming, and it’s afternoon now and I’m covered in hummus and struggling to muster the energy to remove it from myself.’
‘It is obvious now that we can have no control over our journey, or its end.’
A selection of Granta contributors discuss the books they read in 2012.
‘A few drivers had slowed to look up at the side of the coach as it circled the roundabout.’
‘My wife and I lay side by side, the bear looming over us in the same way a crucifixion scene looms above the pews inside a Catholic church.’
Short fiction by Naomi Ishiguro.
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