‘They’ll pop their heads up in a minute,’ he was always saying. He was always right.
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‘The All-American Canal was now dark black with phosphorescent streaks where the border’s eyes stained it with yellow tears.’
‘They’ll pop their heads up in a minute,’ he was always saying. He was always right.
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
William T. Vollmann lives in Sacramento, California. He is the author of nine novels, including Europe Central, which won the National Book Award. He has also written three collections of stories, a memoir, and four works of non-fiction.
More about the author →‘The windbreakers of the passengers standing at the rail fluttered violently.’
‘More than 111,000 people have gone missing in Mexico in the past six years.’
Anjan Sundaram on cartels, conflict and the rate of disappearances in Mexico.
‘Fifty years I’ve played here, except for stretches in Arizona and Mississippi, after my divorce.’
Fiction by Kate Lister Campbell.
‘I’m simply trying to do good, Sharon, in the way that I can.’
Fiction by Marie NDiaye, translated by Jordan Stump.
‘I spend the afternoon scarifying ceilings. My neck and shoulders are killing me by the time I leave.’
Fiction by Rue Baldry.
‘For those caught beneath its thrum, there’s no comfort that the drone, and whoever is at its helm in America, is only targeting the bad guys.’ Eliza Griswold introduces Tomas van Houtryve's unsettling photo-essay taken by drones coming close to civilian life in the manner of the drones currently deployed in Afghanistan.
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