Issues
← Back to all issuesGranta 134: No Man’s Land
Winter 2016
No man’s land is the ground between opposing forces. This issue tells us what happens there.
Peter Pomerantsev reports from Ukraine’s Donbas region, examining the surreal nature of propaganda in the war zone; Peregrine Hodson’s lyrical text describes the post-traumatic stress that followed his experience of war in Afghanistan; Philip Ó Ceallaigh tells the devastating story of the Communist destruction of old Bucharest; and Rachel Cusk meditates on silence as a familial weapon of war.
Plus: A.M. Homes remembers her late friend, the writer David Rakoff.
From this Issue
Essays & Memoir|No Issue
Essays & Memoir|No Issue
Introduction: No Man’s Land
Sigrid Rausing
‘We tangle and project, in exile; we make it up as we go along.’
Poetry|No Issue
Poetry|No Issue
from White Butterflies of Night
Jaan Kaplinski
‘I don’t remember whether I believed that I could just / abandon one life to begin another’
Essays & Memoir|No Issue
Essays & Memoir|No Issue
Propagandalands
Peter Pomerantsev
From 2016: Peter Pomerantsev reports from Ukraine’s Donbas region.
Poetry|No Issue
Poetry|No Issue
Friday Afternoon with Boko Haram
Eliza Griswold
I spent the Hezbollah war in Nigeria eating hummus in a Syrian cafe and watching...
Fiction|No Issue
Fiction|No Issue
Base Life
George Makana Clark
‘This is why he will survive this war to return to his wife and daughter, barring a blind bullet, an errant piece of shrapnel, some careless act of destiny.’
Poetry|No Issue
Art & Photography|No Issue
Art & Photography|No Issue
Kobane: The Aftermath
Lorenzo Meloni & Claire Messud
‘If black is the colour of the Islamic State, then grey is the colour of destruction.’
Fiction|No Issue
Fiction|No Issue
The Ferryman
Azam Ahmed
‘I do not do this work for the government, or the Taliban, or even the men who I collect from the battlefield and return to their loved ones. All these years I have done this for God.’
Essays & Memoir|No Issue
Essays & Memoir|No Issue
Aftermath
Peregrine Hodson
‘We have to find a way to balance life with memory.’
Poetry|No Issue
Poetry|No Issue
Eight pieces in imitation of Thomas A. Clark
Matthew Welton
‘what it is about the earth / that it won’t absorb the stream’
Fiction|No Issue
Fiction|No Issue
A Play on Mothering
David Rakoff
‘His hands are a jewel box and I lean forward and peer in.’
Essays & Memoir|No Issue
Essays & Memoir|No Issue
Essays & Memoir|No Issue
Bucharest, Broken City
Philip Ó Ceallaigh
‘It is only consciousness and memory that hold together the things we sometimes see as solid.’
Art & Photography|No Issue
Art & Photography|No Issue
Gaza, Mode D’Emploi
Eduardo Soteras Jalil
Eduardo Soteras Jalil photographs Gaza’s residents.
Fiction|No Issue
Fiction|No Issue
Reading Comprehension: Text No. 2
Alejandro Zambra
‘Which of the following famous phrases best reflects the meaning of the text?’
Fiction|No Issue
Fiction|No Issue
Last Day on Earth
Eric Puchner
‘Despite my efforts at denial the new reality of our lives was beginning to sink in.’
Poetry|No Issue
Poetry|No Issue
New Tarzon Guided Bomb Hits Bull’s-Eye!
Don Mee Choi
‘Watch this performance carefully, for you are witnessing a new concept of modern warfare.’
Fiction|No Issue
Fiction|No Issue
The Way of the Apple Worm
Herta Müller
‘The mother of the needle is the place that bleeds.’
Essays & Memoir|No Issue
Essays & Memoir|No Issue
Coventry
Rachel Cusk
‘War is a narrative: it might almost be said to embody the narrative principle itself.’
The Online Edition
Fiction|The Online Edition
The Beacon & The Bane
Malerie Willens
‘In spite of my pining and missing, neither man seemed fully formed and I felt a little lonely in the presence of both.’
Art & Photography|The Online Edition
Icons
Cortis & Sonderegger
Cortis & Sonderegger make the premise that there is truth left in photography more doubtful than ever before.
Essays & Memoir|The Online Edition
Torn Silk and Garlands of Garlic
Teffi
Teffi remembers the Armenian refugees in Novorossiisk during the Russian Revolution.
Poetry|The Online Edition
In the Third Person
Daniel Poppick
‘Over an exit, and deeply dreaming / A guard brutally splayed’
Poetry|The Online Edition
Two Poems
Astrid Alben
‘High up in atmosphere, vertigo intact inside Vodka & Lime’
Fiction|The Online Edition
Lucia Series
Jesse Ball
‘People love to say it to you like it counts: Oh, Lucia, she will live on in your memory.’
Fiction|The Online Edition
Ladivine
Marie NDiaye
‘We were hoping for a communion, and that communion never came.’
Poetry|The Online Edition
Civilization Spurns the Leopard
Solmaz Sharif
‘To step out of my door and hope to see something like a life, something passably me.’
Essays & Memoir|The Online Edition
Possible
Wendell Steavenson
‘I don’t know how to think about this. How to stretch compassion for one person into a million.’ Wendell Steavenson on Europe’s migrant-refugee crisis.
Poetry|The Online Edition
Two Poems
Tyehimba Jess
‘Let me tell you how / white hands kilned me / in the moonless middle / of night.’
Essays & Memoir|The Online Edition
Cry of Machines
Kao Kalia Yang
‘Time cannot erase my memories of fear and shame.’
Essays & Memoir|The Online Edition
First Sentence: Eliza Griswold
Eliza Griswold
‘This, of course, was years before anyone knew or cared who Boko Haram was.’
Essays & Memoir|The Online Edition
Crossings
Tim Beckett
‘This was the collective trauma of a community discovering, very abruptly, they’d have to uproot their lives.’ Tim Beckett on the ruins of Uranium City.
Essays & Memoir|The Online Edition
Violence in Blue
Patrick Ball
‘One-third of all Americans killed by strangers are killed by police.’
Fiction|The Online Edition
The Conveyor Belt
Louise Stern
‘Tall men that looked like insects crept out of cracks in the stones.’
Essays & Memoir|The Online Edition
The Fencing Master
David Treuer
David Treuer on learning to fence with Maître Michel Sebastiani and learning to write with Toni Morrison.
Five Things Right Now|The Online Edition
Rachel B. Glaser | Five Things Right Now
Rachel B. Glaser
Rachel B. Glaser shares five things she’s reading, watching and thinking about right now.