From 2006 to 2010, I photographed the coal industry in China and its impact on the western hinterlands of the country. One body of work, Traces I, was a series of landscapes, often devoid of people, that beneath their neutral surfaces harboured highly politicised histories and revealed physical …
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From 2006 to 2010, I photographed the coal industry in China and its impact on the...
‘The pictures I take are fly-on-the-wall and open to interpretation.’
‘Otome games are about women writing romance plots designed to please women – paper hubbies and their voice actors are just a conduit to make the experience more believable.’
Yun Sheng on the rise of virtual love in China.
‘I tried to work out how many elements I would have plugged if I retired at sixty, and soon I was fatigued before a simple subtraction.’
Fiction by A. Jiang.
Katharine Kilalea and Emily Berry discuss architecture, psychoanalysis and the different types of exposure that come with writing prose and poetry.
