One day, not long after he turned thirteen, Adam ran away from home. He woke up that morning and decided he would look for his mother.
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One day, not long after he turned thirteen, Adam ran away from home. He woke up that morning and decided he would look for his mother.
Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Tash Aw is the author of four critically acclaimed novels, which have won the Whitbread First Novel Award, a regional Commonwealth Writers’ Prize and twice been longlisted for the Man Booker Prize. He is also the author of the memoir The Face: Strangers on a Pier, which was a finalist for the Los Angeles Times Book Prize. He was recently the Judith Ginsberg Fellow at the Columbia Institute of Ideas and Imagination in Paris. His latest novel, We, The Survivors, was published in 2019.
Photograph © Stacey Liu
‘We were trapped in a sort of double prison: by poverty in Europe, and by China and its expectations of us.’
‘Where wealth and technology go, culture quickly follows, and soon it became acceptable, even desirable, to express an interest in Japan beyond the mere practicality offered by its products.’
‘It was as if he was consciously trying to fashion an image for what he wanted the country to be: ultra-confident and unapologetic, not just severing all links with our colonial past but sticking a bold middle finger up to it while we strode chest-out into the future.’
‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’
Fiction by Yu Hua, translated by Michael Berry.
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘I tell my dead father if he gives any more advice that rhymes, I’ll leave this story unfinished.’
Fiction by Idra Novey.
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