There are constants in the media landscape, the images that, even half-seen, alert us to another excitingly dire occurrence.
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Gordon Burn was born in Newcastle in 1948. He is the author of the novels Alma Cogan (winner of the 1992 Whitbread First Novel Prize), Fullalove and The North of England Home Service. He is also the author of the works of non-fiction, Somebody’s Husband, Somebody’s Son (winner of a US Edgar Allan Poe award), Pocket Money and Happy Like Murderers. He wrote the text for Damien Hirst’s book, I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now (1997), before their collaboration On the Way to Work (2001). In 1991 he was named Columnist of the Year in the Magazine Publishing Awards for his sports column in Esquire. He died on July 17, 2009.
More about the author →Tom Pilston is a photographer who collaborated with Gordon Burn on their piece 'The Trial', which appeared in Granta 53.
More about the author →‘The line between reality and its representation has become rivetingly porous.’
‘The material becomes a fable about Los Angeles, a city that is always watching itself watch itself.’
Jesse Barron on Los Angeles and Gary Indiana’s final novel.
‘Dead friends come to us unbidden – in unexpected moments, in dreams. They remain in conversation. In these pages, writers have transmitted the flickering aura of their departed friends.’
The editor introduces the issue.
‘On 7 December 1976, I finally succeeded in pestering my parents into introducing me to Andy Warhol.’
Fernanda Eberstadt on her friendship with Andy Warhol.
‘The festival dedicated to his late father was scheduled to open tomorrow evening on the Mediterranean island of Midorca and the evening after that Acker was set to present his remarks at the Biblioteca Pública de Midorca.’
Fiction by Joshua Cohen.
Ce jour-là, comme chaque jour, des poissons avaient nagé au-dessus des têtes.
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