‘The world is all mixed up these days, and America can no longer claim immunity.’
I’m sitting in the expansive spaces of Renzo Piano’s four-storey airport outside Osaka, sipping an Awake tea from Starbucks and waiting for my bus home. I’ve chosen to live in Japan for the past twenty years, and I know its rites as I know the way I need tea when feeling displaced, or to head …
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Alison Smith on the week she spent with Ursula K. Le Guin.
This surreal tale from Haruki Murakami circles a Charlie Parker album that never existed. Translated from the Japanese by Philip Gabriel.
A monastic community persists after a ‘great chaos and collapse’ in this story by the 2018 Nobel Prize for Literature laureate, Olga Tokarczuk. Translated from the Polish by Jennifer Croft
Two poems from Rebecca Tamás’ collection WITCH.
Summer Brennan on high heels, foot-binding, and our ongoing performances of gender.
‘The writer on place has to go further inward, into the realm of silence and nuance and personal enquiry.’
‘I was inside a silence that was not an absence of noise so much as the living presence of everything I habitually walked – or sleep-walked – past.’
‘You can throw yourself into any fantasy, she (and her country) might have been saying, so long as you don’t mistake it for real life.’
‘I get on the train to hear the funereal call of my boyhood: ‘Reading, Didcot Parkway, Oxford.’’
‘Where was Denver in all of this, or the wide open road to Mexico, or the woman, hip to the souls of sensitive men, who was played on-screen by Sissy Spacek and later by Kirsten Dunst?’
Andrew O’Hagan remembers Carolyn Cassady, beat writer and widow of Neal Cassady.
‘The pieces in this issue of Granta are all concerned, in one way or another, with the difference between the world as we see it and the world as it actually is, beyond our faulty memories and tired understanding.’
