reminds me of the aging Genji
who, to rid himself of Princess Tamakazura,
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‘nothing like an ancient corridor where a / woman is stripped of resistance.’
reminds me of the aging Genji
who, to rid himself of Princess Tamakazura,
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Kimiko Hahn is the author of nine poetry collections, including The Unbearable Heart, The Artist's Daughter, The Narrow Road to the Interior and Brain Fever, forthcoming in October. She is a distinguished professor in the MFA programme in creative writing and literary translation at Queens College, City University of New York.
More about the author →‘The lemon shark / who returns to the same mangrove-lined shallows / every year to give birth.’
‘Certainly the tide or the dog striding along the sluff of seaweed, / this afternoon – brown, light green, black green, white and red.’
‘Words only point to experience, they can’t replace it.’
Vanessa Onwuemezi and Colin Herd discuss UFOs, relation, and the search for an inner sense of home.
‘Did Hearn feel comfortable in Japan because being a foreigner overshadowed his physical difference?’
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