Will you play at my wedding? Philippe the cheese-maker asked him. Philippe was thirty-four. People had been saying he would never get married.
When is it?
Saturday next.


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‘He played it as loud as he could, as though he hoped the music would remind the hay in the barn above of green grass and blue cornflowers.’
Will you play at my wedding? Philippe the cheese-maker asked him. Philippe was thirty-four. People had been saying he would never get married.
When is it?
Saturday next.
Sign in to Granta.com.
‘The issue was the first of its kind. Trust me, it said. I know what I am talking about. These young writers are the future of literature. Watch. History will prove me right.’ – Bill Buford, Granta editor (1979-95)
‘Cover your nose and mouth, the order came, swift and useless; if they’d had their turbans they would have wound them around their faces but there were only the balaclavas.’
Fiction by Kamila Shamsie from the 2013 Best of Young British Novelists issue.
‘She felt exhausted, emptied out; she thought of the day that had passed – it was astonishing to her, that a single set of hours could contain so many separate states of violent feeling.’
Fiction by Sarah Waters from the 2003 Best of Young British Novelists issue.
‘This is the one thing I know from the minute I lift the receiver and slip that voice inside my ear: it will happen.’
Fiction by A.L. Kennedy from the 1993 Best of Young British Novelists issue.
‘As it was, my grandfather began helping me to paint without my having to ask him.’
Fiction by Kazuo Ishiguro from the 1983 Best of Young British Novelists issue.
John Berger (1926–2017) was a novelist, essayist, screenwriter and critic. His extensive bibliography includes the book-length essay on art criticism Ways of Seeing, the Into their Labours fiction trilogy and the study of migrant workers A Seventh Man. His novel G. was awarded the 1972 Booker Prize, and he was awarded the Golden PEN Award for a Lifetime’s Distinguished Service to Literature in 2009.
More about the author →‘To create is to let take over something which did not exist before and is therefore new.’
‘Use these photos as means of transport. Ride on them. No passes needed. Go close. Imprudently close. They leave every minute.’
‘The image impressed me when I set eyes upon it for the first time. It was as if it were already familiar, as if, as a child, I had already seen the same man framed in a doorway.’
‘If I'm not transferred to the mines, I'll hold out, and you must go on thinking of me as dead: you will be closer, my heart, to the reality.’
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