Will you play at my wedding? Philippe the cheese-maker asked him. Philippe was thirty-four. People had been saying he would never get married.
When is it?
Saturday next.
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‘He played it as loud as he could, as though he hoped the music would remind the hay in the barn above of green grass and blue cornflowers.’
Will you play at my wedding? Philippe the cheese-maker asked him. Philippe was thirty-four. People had been saying he would never get married.
When is it?
Saturday next.
Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
John Berger (1926–2017) was a novelist, essayist, screenwriter and critic. His extensive bibliography includes the book-length essay on art criticism Ways of Seeing, the Into their Labours fiction trilogy and the study of migrant workers A Seventh Man. His novel G. was awarded the 1972 Booker Prize, and he was awarded the Golden PEN Award for a Lifetime’s Distinguished Service to Literature in 2009.
More about the author →‘To create is to let take over something which did not exist before and is therefore new.’
‘Use these photos as means of transport. Ride on them. No passes needed. Go close. Imprudently close. They leave every minute.’
John Berger on images of violent dispossession from South Africa and Lesotho.
‘The image impressed me when I set eyes upon it for the first time. It was as if it were already familiar, as if, as a child, I had already seen the same man framed in a doorway.’
‘If I'm not transferred to the mines, I'll hold out, and you must go on thinking of me as dead: you will be closer, my heart, to the reality.’
‘Maurice turns left, turns right, to loosen out the kinks in his neck. Images slice through him.’
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