Grandfather, are you asleep?
–No.
–I asked you a question.
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‘Why should Switzerland of all places have no army? It costs billions and billions, but we can afford it.’
Grandfather, are you asleep?
–No.
–I asked you a question.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Max Frisch published his first book in 1940. ‘Switzerland Without an Army?’ (Granta 35) was first published in German as a pamphlet around the time of the Swiss referendum to abolish the military. The referendum was defeated by a vote of 1,903,797 (64,4 per cent).
More about the author →Michael Bullock was a British novelist, poet and translator. He translated many literary works of French and German into English. He died in 2008.
More about the translator →
‘I think people who ape the sentiments of others often go on to believe the thing they said. It becomes their opinion.’
Juliet Jacques and Iphgenia Baal discuss early digital cultures, precarity and social architecture.
‘How do we perform our politics, our outrage and our grievances when we are among a group?’
Anthony Anaxagorou talks about his collection Heritage Aesthetics.
‘By the time I was in my teens, I had taken up an existence framed by a double negative: not male, not white.’
An excerpt from Tsitsi Dangarembga’s essay collection, Black and Female.
‘Traditional hand-craft becomes literary practice; becomes critical theory.’
Preti Taneja on intertextuality.
‘We live with the permanent sense of imminent disaster.’
Charif Majdalani on the situation in Beirut. Translated from the French by Ruth Diver.
‘A rustle in the bracken; then, almost immediately, a snout and some wiry black hair.’
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