Grandfather, are you asleep?
–No.
–I asked you a question.
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‘Why should Switzerland of all places have no army? It costs billions and billions, but we can afford it.’
Grandfather, are you asleep?
–No.
–I asked you a question.
Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Max Frisch published his first book in 1940. ‘Switzerland Without an Army?’ (Granta 35) was first published in German as a pamphlet around the time of the Swiss referendum to abolish the military. The referendum was defeated by a vote of 1,903,797 (64,4 per cent).
More about the author →Michael Bullock was a British novelist, poet and translator. He translated many literary works of French and German into English. He died in 2008.
More about the translator →
‘I think people who ape the sentiments of others often go on to believe the thing they said. It becomes their opinion.’
Juliet Jacques and Iphgenia Baal discuss early digital cultures, precarity and social architecture.
‘How do we perform our politics, our outrage and our grievances when we are among a group?’
Anthony Anaxagorou talks about his collection Heritage Aesthetics.
‘By the time I was in my teens, I had taken up an existence framed by a double negative: not male, not white.’
An excerpt from Tsitsi Dangarembga’s essay collection, Black and Female.
‘Traditional hand-craft becomes literary practice; becomes critical theory.’
Preti Taneja on intertextuality.
‘We live with the permanent sense of imminent disaster.’
Charif Majdalani on the situation in Beirut. Translated from the French by Ruth Diver.
‘Anthony’s life was a triumph and a tragedy. It was a tragedy which I believe he foresaw.’
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