Maybe you’ve heard this story. A winter so cold my grandfather watched hot soup freeze in a bowl. He was living in the forest with other teenagers outside Antopol. Maybe you heard about the weapons he robbed from peasants. Maybe you heard about the sticks of dynamite he set along military rail routes, waiting for them to spark and explode. Maybe you heard about the boar he chased out of the woods. When I was a kid we’d spend summers in Tel Aviv, squeezed into his sweaty orange kitchen, plucking olives from a bowl and spitting the pits in our palms while my mother fixed us lunch. He had a deep tan and a fat laugh, white hair parted drastically to one side. He liked to sit around in his undershirt and sandals and tell stories, stories I half-believed but still repeated to my friends like gospel, of secret missions and near escapes. Always – always – at some point he and my father would argue. And suddenly it was as if the two of them had taken up all the oxygen in the room and my grandfather would stomp out to the patio, and my father would say to us, He’s always been like this. The war’s over seventy years and still he’s in it. He hates everything. And my mother would say, Nachum, calm down, and my father would say, I am calm, and then she’d give me the look, and I’d pack up our uneaten lunch and take my grandfather around the block to the park. I worked forty years at the shoe store, he’d say to me. Now we’ve got locations all over the country. You tell your father that’s called progress. And I don’t hate everything. He didn’t walk the streets so much as patrol them. I love my apartment, I love the heat, I love you. I love this park, he’d say, gesturing wildly. I’d watch Filipina nannies push double strollers up the path, watch two teenagers, barefoot and in Bedouin pants, lumber after a Frisbee. I love this bench! he’d say. It’s our bench. But then he’d start popping his knuckles like he did when he was antsy and I’d know this couldn’t go on. But I don’t love that squirrel, he’d blurt. It’s nothing but a rat with a goofy tail. And those kids? They’re lazy at Frisbee. Why aren’t they in school? Give me that bag, he’d say, and when I did he’d lay out our lunch, boiled eggs and pita and fruit salad, and say, I don’t love the berries at Supersol. They’re mush. I ate better ones that year in the forest. All winter it was potatoes, potatoes, potatoes, but come summer blackberries were everywhere. See, that’s me being positive. Give me a napkin. Give me a fork. Give me that stick over there, he’d say. It’s a good one. You see this? Long and so straight that at night they might mistake it for a rifle. Hold it up like this and no one can ever hurt you.
Summer
Molly Antopol
‘Maybe you heard about the sticks of dynamite he set along military rail routes, waiting for them to spark and explode.’ New flash fiction from Molly Antopol
Granta 167: Extraction Online
You Are the Product
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
You Are the Product
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
You Are the Product
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
You Are the Product
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
Two Poems
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Molly Antopol
Molly Antopol’s debut story collection, The UnAmericans, won the New York Public Library’s Young Lions Fiction Award, a National Book Foundation 5 Under 35 Award, the French-American Prize, the Ribalow Prize and a California Book Award Silver Medal. Antopol is the recipient of fellowships from the Radcliffe Institute for Advanced Study, the MacDowell Colony, Blue Mountain Center and Stanford University, where she was a Wallace Stegner Fellow and has taught in their Creative Writing Program since 2008. Currently a fellow at the American Academy in Berlin, she’s at work on a novel.
More about the author →