From my upstairs windows in Llanystumdwy, near Cricieth in Gwynedd, I can look out on Cardigan Bay, and the sea runs through our house – not literally, of course, but metaphorically, or perhaps emotionally.


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‘The sea runs through our house – not literally, of course, but metaphorically, or perhaps emotionally.’
From my upstairs windows in Llanystumdwy, near Cricieth in Gwynedd, I can look out on Cardigan Bay, and the sea runs through our house – not literally, of course, but metaphorically, or perhaps emotionally.
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‘There was really no point in going to a bomb shelter just because the siren sounded. Our hotel was unlikely to be a target.’
Lindsey Hilsum writes letters home from Ukraine.
‘The recipe is a text that can produce spattering because it was spattering before it was language.’
Rebecca May Johnson on recipes, repetition and intimacy.
‘To make a subject of the very same entity I am a part of, to be outside and within it.’
Thomas Duffield photographs his family.
‘There sat the joy of the shopping centre, what I thought of as its secret heart. A white rabbit.’
A story by Dizz Tate.
‘We were ourselves migrating birds; in a sense, refugees, displaced persons, without a home or a home town.’
Volodymyr Rafeyenko (tr. Sasha Dugdale) on the war in Ukraine.
Jan Morris was born in 1926 of a Welsh father and an English mother. She spent the last years of her life with her partner Elizabeth Morris in the top left-hand corner of Wales, between the mountains and the sea. Her books include Coronation Everest, Venice, the Pax Britannica trilogy and Conundrum. She was also the author of six books about cities and countries, two autobiographical books, several volumes of collected travel essays and the unclassifiable Trieste and the Meaning of Nowhere. In 2018 she was recognised for her outstanding contribution to travel writing by the Edward Stanford Travel Writing Awards, and published In My Mind’s Eye: A Thought Diary. This was followed by Thinking Again, a second volume of her diaries, published shortly before her death in 2020.
More about the author →An essay on Welsh identity from Allegorizings, the final book from the late Jan Morris.
‘Shame and regret are certainly not the same things: je ne regrette rien, like charity, can cover a multitude of sins.’
‘The insularity of Texas has always entertained travellers, coupled as it is with extreme technical sophistication, and Texans of course love to make the most of it.’
‘By the time I was in my teens, I had taken up an existence framed by a double negative: not male, not white.’
An excerpt from Tsitsi Dangarembga’s essay collection, Black and Female.
The word odometer dates from 1791, but mileage indicators didn’t appear as standard equipment on...
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