Photograph © Nadav Kander
Steven Hall on the internet, writing from memory and Ian the Cat.
Photograph © Nadav Kander
‘Feelings can be very obscure but numbers never lie.’
Kevin Brazil on metrics, obsession and fitness.
‘An intense workout is an ecstasy of punishment packaged as self-improvement.’
Mary Wellesley on exercise, ritual and Barry’s Bootcamp.
‘I was not good at sports because I would not do sports because I did not have the body for sports because I would not do sports.’
Saba Sams on girlhood, embodiment and avoiding sports.
‘Following United rarely brings me any great joy and most often it depresses me. If I could disengage, I would.’
Jonny Thakkar on Manchester United.
‘I deployed my body against an opponent like a blunt and effective instrument.’
John Patrick McHugh on playing Gaelic football.
Born in Derbyshire, Steven Hall’s first novel, The Raw Shark Texts, won the Borders Original Voices Award and the Somerset Maugham Award, and has been translated into twenty-nine languages. ‘Spring’ and ‘Autumn’, in the issue, are excerpts from his upcoming second novel, The End of Endings.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘The robot is the Godot of practical science.’
‘you dreamt of the CUNY / Graduate Center library / on fire, you dove in to save Stalin’s / copy of Capital’
Poetry by Kay Gabriel.
‘He saw himself as nothing more than a man holding a pen.’
Paula Fourie remembers her husband, Athol Fugard.
‘The material becomes a fable about Los Angeles, a city that is always watching itself watch itself.’
Jesse Barron on Los Angeles and Gary Indiana’s final novel.
‘The death of the vulture is also the death of how we cope with death itself.’
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