Photograph © Nadav Kander
Steven Hall on the internet, writing from memory and Ian the Cat.
Photograph © Nadav Kander
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Born in Derbyshire, Steven Hall’s first novel, The Raw Shark Texts, won the Borders Original Voices Award and the Somerset Maugham Award, and has been translated into twenty-nine languages. ‘Spring’ and ‘Autumn’, in the issue, are excerpts from his upcoming second novel, The End of Endings.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘The robot is the Godot of practical science.’
‘It’s more like painting. It’s not like a film.’
Wang Xiaoshuai on the evolution of Chinese cinema and the challenges faced by those working at the vanguard of independent film.
‘A cold star breeze, you pass through my eyelashes.’
A poem by Ekhmetjan Osman translated by Joshua L. Freeman.
‘How do you love a monster when they are no longer monstrous?’
New fiction by Diana Evans.
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