On his twenty-ninth birthday, Baby Williams gave a party for two or three thousand in the New Orleans Superdome. Baby and his older brother Slim ran Cash Money, the hottest rap label in the city, and they liked to live large.
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On his twenty-ninth birthday, Baby Williams gave a party for two or three thousand in the New Orleans Superdome. Baby and his older brother Slim ran Cash Money, the hottest rap label in the city, and they liked to live large.
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‘Feelings can be very obscure but numbers never lie.’
Kevin Brazil on metrics, obsession and fitness.
‘An intense workout is an ecstasy of punishment packaged as self-improvement.’
Mary Wellesley on exercise, ritual and Barry’s Bootcamp.
‘I was not good at sports because I would not do sports because I did not have the body for sports because I would not do sports.’
Saba Sams on girlhood, embodiment and avoiding sports.
‘Following United rarely brings me any great joy and most often it depresses me. If I could disengage, I would.’
Jonny Thakkar on Manchester United.
‘I deployed my body against an opponent like a blunt and effective instrument.’
John Patrick McHugh on playing Gaelic football.
Nik Cohn (also Nick Cohn) was born in London in 1946. He is the author of numerous books on rock and pop music, including Awopbopaloobop Alopbamboom. His most recent work is Triksta : Life and Death and New Orleans Rap (Knopf 2005). He is originally from Northern Ireland.
More about the author →‘Across the river, in a Catholic enclave in the Waterside district, there was a disused funeral home in which, three nights a week, at 6d a shot, contraband teen movies could be sat through and sometimes seen, according to the state of the projector.’
‘I ask my wife what she means by kidnap exactly, but she says never mind’.
‘In every other respect – colour, country, creed – these people might have nothing in common. Some were convicted criminals, others sought political asylum, still others had overstayed their visas or were accused of Green Card frauds, and a few might even be mistakes, the victims of computer or human error. But this one bond was absolute.’
‘I turn to O’Connor’s music when I get tired of lying to myself. Her songs are allegorical free-falls. Spiritual chiaroscuros, even.’
Momtaza Mehri on Sinéad O’Connor.
‘Is there in fact a jostling for dominance between the art forms, some barely suppressed competitiveness?’
Adam Mars-Jones on music and ceremony.
‘Younger generations accept as normal a world that seems tainted and degraded to older people.’
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