On his twenty-ninth birthday, Baby Williams gave a party for two or three thousand in the New Orleans Superdome. Baby and his older brother Slim ran Cash Money, the hottest rap label in the city, and they liked to live large.
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On his twenty-ninth birthday, Baby Williams gave a party for two or three thousand in the New Orleans Superdome. Baby and his older brother Slim ran Cash Money, the hottest rap label in the city, and they liked to live large.
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Nik Cohn (also Nick Cohn) was born in London in 1946. He is the author of numerous books on rock and pop music, including Awopbopaloobop Alopbamboom. His most recent work is Triksta : Life and Death and New Orleans Rap (Knopf 2005). He is originally from Northern Ireland.
More about the author →‘Across the river, in a Catholic enclave in the Waterside district, there was a disused funeral home in which, three nights a week, at 6d a shot, contraband teen movies could be sat through and sometimes seen, according to the state of the projector.’
‘I ask my wife what she means by kidnap exactly, but she says never mind’.
‘In every other respect – colour, country, creed – these people might have nothing in common. Some were convicted criminals, others sought political asylum, still others had overstayed their visas or were accused of Green Card frauds, and a few might even be mistakes, the victims of computer or human error. But this one bond was absolute.’
‘I turn to O’Connor’s music when I get tired of lying to myself. Her songs are allegorical free-falls. Spiritual chiaroscuros, even.’
Momtaza Mehri on Sinéad O’Connor.
‘Is there in fact a jostling for dominance between the art forms, some barely suppressed competitiveness?’
Adam Mars-Jones on music and ceremony.
‘The world is teeming with demons who are always looking for ways to screw with your good fortune.’
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