‘When Jimmy Dellapiccolo first met her, she was in a SoHo gallery masturbating.’
When Jimmy Dellapiccolo first met her, she was in a SoHo gallery masturbating. She was the only exhibit. Every hour on the hour, from eleven to four, she masturbated. She drew quite a crowd, and Jimmy saw her twice. In between her sessions she rolled herself up in a rug and seemed to sleep, although…
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘They couldn’t put their finger on exactly what it was they craved, but they knew it was very different to what they had.’
Fiction by Vincenzo Latronico, translated by Sophie Hughes.
‘The presence of another person at the scene is suggested. The image invites you to imagine their position and to mentally assume it.’
Photography by Debmalya Ray Choudhuri, introduced by John-Baptiste Oduor.
‘We decided then to tell each other exactly how a typical fuck played out in our marriages. We couldn’t believe we’d never done this before.’
Fiction by Miranda July.
‘He tried to think about what sort of person he wanted to be in this world and how he might bring that about.’
Fiction by Brandon Taylor.
‘He'd have to keep an eye on his liver now, the way you do with cars, if you want them to last: regular washing and greasing, an eye cast over the electrics, the injectors, all the pumps, the battery and the brakes.’
