I should not be here to tell this story.
Sign in to Granta.com.
‘It's that simple: there is a day in my past, a day many years ago in Santiago de Chile, when I should have died and did not.’
I should not be here to tell this story.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Ariel Dorfman is an Argentine-Chilean novelist and playwright. His books include Other Septembers, Heading South, Looking North, Many Americas and a novel, Burning City, written with his son Joaquin. His plays include Death and the Maiden, which received its London revival in the autumn of 2011.
More about the author →‘Chile, for all its imperfections and failures, found a way of responding to the terror inflicted on us (yes, us, we Chileans), a path of peace rather than war, a path of understanding rather than retribution.’
‘But it is not only external, physical problems that Chilean culture is facing. By suddenly being forced into the open, artists and intellectuals are now coming up against an internal dilemma.’
‘Unlike the other comic strips in the magazine, ‘The Adventures of Mampato’ was conceived, illustrated, and entirely produced in Chile.’
‘How would I feel if I had messaged for years with someone that I later found out was an AI?’
Brea Souders speaks to Alice Zoo about chatbots, interconnection and the dialogue between photography and text in her work.
‘Patterns in my love life, things I read, my dreams and distant memories together wove plush carpets of significance.’
An essay by Thom Sliwowski on chicken, abstinence and polyamory.
Three video installments from The New York Review of Books conference ‘What Now? Europe and North America in a Disordered World’, 21-22 November 2009.
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.