I should not be here to tell this story.
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‘It's that simple: there is a day in my past, a day many years ago in Santiago de Chile, when I should have died and did not.’
I should not be here to tell this story.
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Ariel Dorfman is an Argentine-Chilean novelist and playwright. His books include Other Septembers, Heading South, Looking North, Many Americas and a novel, Burning City, written with his son Joaquin. His plays include Death and the Maiden, which received its London revival in the autumn of 2011.
More about the author →‘Chile, for all its imperfections and failures, found a way of responding to the terror inflicted on us (yes, us, we Chileans), a path of peace rather than war, a path of understanding rather than retribution.’
‘But it is not only external, physical problems that Chilean culture is facing. By suddenly being forced into the open, artists and intellectuals are now coming up against an internal dilemma.’
‘Unlike the other comic strips in the magazine, ‘The Adventures of Mampato’ was conceived, illustrated, and entirely produced in Chile.’
‘I’d had quite enough of everything. I vowed to no longer mistake obedience for love.’
Fiction by Catherine Lacey.
‘This unsettling imagery points to a dereliction of civic duty.’ Max Houghton introduces photographs by Diana Matar.
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