In this edition of the Granta podcast, Ted Hodgkinson interviews Sean Borodale, one of Granta’s New Poets. You can listen to the interview below, and read two poems by Sean Borodale here.
Photograph by Next Generation Poets
Ted Hodgkinson interviews Granta New Poet Sean Borodale.
In this edition of the Granta podcast, Ted Hodgkinson interviews Sean Borodale, one of Granta’s New Poets. You can listen to the interview below, and read two poems by Sean Borodale here.
Photograph by Next Generation Poets
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Sean Borodale was Northern Arts Fellow of the Wordsworth Trust in 1999 and Guest Artist at the Rijksakademie, Amsterdam in 2002. From 2002-7 he was a teaching fellow at the Slade School of Fine Art, UCL. His long topographical work Notes for an Atlas was recommended by Robert Macfarlane in the Guardian Summer Books 2005. It was performed in 2007 at the Southbank Centre's Royal Festival Hall, directed by Mark Rylance, as part of the first London Festival of Literature. Recent projects include Grey Matter with artist Jonathan Houlding which included a residency at the Fundacion Pilar i Joan Miro, Mallorca, 2009. Bee Journal, his debut full-length collection of poems, will be published by Jonathan Cape in July 2012.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘The incendiary elements that start my poems are often something I find shocking, but hopefully not gratuitous.’
‘To be honest, this is dark stuff; mud, tang / of bitter battery-tasting honey. The woods are in it.’
‘An enormous black form rose from the water. Uncle Feng told me in a low voice to run fast.’
Fiction by Can Xue, translated by Annelise Finegan.
‘At a time when China has become a unifying specter of menace for Western governments, this issue of Granta brings the country’s literary culture into focus.’
The editor introduces the issue.
‘Fiction is a kind of spell, I said, and analysing a story is an exorcism. It loses all its mystery.’
Fiction by Zhang Yueran, translated by Jeremy Tiang.
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