Rain at three splits the bed in half,
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‘Rain at three splits the bed in half, / cracks at windows like horsemen blistering / through a century of hibernation.’
Rain at three splits the bed in half,
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Tishani Doshi publishes poetry, essays and fiction. Her most recent books are Girls are Coming Out of the Woods, shortlisted for the Ted Hughes Award for poetry, and a novel, Small Days and Nights, shortlisted for the RSL Ondaatje Prize. For fifteen years she worked as a dancer with the Chandralekha Group in Chennai. Her fourth full-length collection of poetry, A God at the Door, has just been published by Bloodaxe Books. She is a visiting associate professor at New York University, Abu Dhabi, and otherwise lives in Tamil Nadu, India.
Photograph © Carlo Pizzati
‘A breast just casually hanging around, being a functional exocrine gland, enjoying the sun? Impossible.’
Tishani Doshi on women’s rights in India.
‘Even if you could walk through the corridors / of your body, you would not know which rooms / to enter, which were full of stone.’
‘Understand friend, the conscience is a delicate broth. / Sometimes it feels good to be bad.’
‘There is no lack of talent in this country. All we lack is decent leaders.’ Pakistan’s secular world runs against fundamentalism in Nadeem Aslam’s latest novel, The Golden Legend.
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