- Published: 06/01/2022
- ISBN: 9781783788309
- Granta Books
- 128 pages
Refractive Africa is a set of three poems ruminating on diasporic witness, colonialism, invasion, and political resistance. This ‘pas de trois’ of poems begins paying homage to Amos Tutuola, innovative Nigerian-Yoruban author, and ends with a speech towards modernist Malagasy poet Jean-Joseph Rabearivelo.
The collection turns around the long middle poem, using the geographical site of the Congo river as a lens for considering the pillaging and dislocation of societies through history, honing-in on the specific colonial and post-colonial histories of the area. He welds these to contemporary instances of ecological damage through mining for tin and cobalt.
Fierce, compelling, and full of astrological reckoning, this book is a ‘savage enunciation’:
‘this is the Congo
vertiginous with derangement
with its foul & delimited hygiene
with its “weaver bird nests”
with its sprawling grasslands
with its “ghostly voltage” as flares from old oil rigs
thus our intelligence forcibly blunted
our thought stream injured as culpable integument
within this compound negation
snaking its way through interior suppression’
Will Alexander's Refractive Africa is a diasporic invocation of world-historical and cosmological dimensions. Lumumba. Tutuola. Rabearivelo. Each long poem swelters, pulling a dense constellation of national heroes, ruptured worlds, hauntings, and sensory frequencies into its orbit. Through a glissade of luminous dexterity and precision, Alexander maps out a lexical cartography of Africas, real and imagined, lost and recovered.
Since the 1980s, the Los Angeles-based Alexander has mixed politics with mesmeric, oracular lines. Here, three long poems evoke colonial Africa
New York Times
Will Alexander's Refractive Africa crackles with the assurance of a worldview that eschews the studs of "foreign domination'. Referencing African icons, ideologies and injuries, Alexander draws us into a feast of definition and redefinition, with a revelry in language, "alive with ferocious embellishment"
Nii Ayikwei Parkes
Will Alexander on Granta.com
In Conversation | The Online Edition
Will Alexander & James Goodwin
‘I may have mentioned this at a prior time but there are around 250,000 words in the English language, yet within the utilitarian scale they seem consumed according to advertising and profit.’
Poetry | Granta 137
‘how can all the pressures of surveillance / fail to describe me?’