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Art & Photography|Granta 114
Art & Photography|Granta 114
Contacts
Adam Broomberg & Oliver Chanarin
Photographs from the Belfast Exposed Archive, documenting the Troubles from the early 1970s.
Fiction|Granta 114
Fiction|Granta 114
Essays & Memoir|Granta 114
Poetry|Granta 114
Poetry|Granta 114
New Hotel Krakow
Adam Zagajewski
‘Now someone else lives in that apartment, / strange people, the scent of a strange life.’
A poem by Adam Zagajewski.
Essays & Memoir|Granta 114
Essays & Memoir|Granta 114
Edenvale
Mark Gevisser
‘The city was also a place of possibility and even, paradoxically, liberation.’
Fiction|Granta 114
Essays & Memoir|Granta 114
Essays & Memoir|Granta 114
The B.O.G. Standard
Philip Oltermann
‘Like most northern Europeans, we were dedicated Anglophiles.’
Poetry|Granta 114
Poetry|Granta 114
Half-Mexican
Juan Felipe Herrera
Odd to be a half-Mexican, let me put it this way I am Mexican +...
Essays & Memoir|Granta 114
Essays & Memoir|Granta 114
They Always Come in the Night
Dinaw Mengestu
‘Tell them truth. Tell them we are out here dying.’
Essays & Memoir|Granta 114
Essays & Memoir|Granta 114
The Mercies
Ann Patchett
‘Once you knew what God wanted from your life, you would have to be ten different kinds of fool to look the other way.’
Fiction|Granta 114
Fiction|Granta 114
James
Madeleine Thien
‘You can follow the trail but you can’t know in which direction you are headed’
Fiction|Granta 114
Art & Photography|Granta 114
Art & Photography|Granta 114
Inland, Iran
Afshin Dehkordi
Image 1 of 10 Image 2 of 10 Image 3 of 10 Image 4 of...
Essays & Memoir|Granta 114
Essays & Memoir|Granta 114
One Day I Will Write About This Place
Binyavanga Wainaina
‘We are, it seems, in the middle of nowhere.’
Essays & Memoir|Granta 114
Essays & Memoir|Granta 114
English Hours: Nothing Personal
Paul Theroux
‘England does not have a climate; it has weather, seldom dramatic.’
Fiction|Granta 114
Fiction|Granta 114
Here Is What You Do
Chris Dennis
‘It’s like there’s a piece of candy hidden deep inside you and everyone is trying to find the easiest way to get it out.’
The Online Edition
In Conversation|The Online Edition
Julie Otsuka | Interview
Julie Otsuka & Patrick Ryan
‘Using the ‘we’ voice allowed me to tell a much larger story than I would have been able to tell otherwise.’
Fiction|The Online Edition
Harabella
Biram Mboob
‘He was conscious of something that had been growing in him as he walked here alone on Rimroad: some dark unreasoning paranoia.’
In Conversation|The Online Edition
Jaime Karnes | Interview
Jaime Karnes & Ollie Brock
‘I began telling stories as a child – a way to guarantee invitation to sleepover parties.’
Fiction|The Online Edition
In Shinjuku
Yang Sok-il
‘I found myself sitting on a bench in Shinjuku Central Park, dazed like a junkie, when the wind plastered a sports tabloid to my legs and an advertisement jumped out at me‘
Essays & Memoir|The Online Edition
Selling Your First Soul
Kseniya Melnik
‘The Russia of my memories was largely imaginary – a cauldron of nostalgia-tinted material, which I calibrated with scrupulous research.’
Essays & Memoir|The Online Edition
Like We Are
Binnie Kirshenbaum
‘My father can speak just fine. Nonetheless, he does not speak to me; nor I to him.’
In Conversation|The Online Edition
Madison Smartt Bell | Interview
Madison Smartt Bell & Ollie Brock
‘A lot of my stories are like lint in your pocket.’
Fiction|The Online Edition
Rabbit Cycling
Madison Smartt Bell
‘He’d lost her first name in a burst of senseless coloured lights and he couldn’t tell her his own name because he didn’t know it.’
Essays & Memoir|The Online Edition
On Riker’s Island
David McConnell
‘A lifelong backlog of unimparted knowledge must corrode the flesh.’
Fiction|The Online Edition
Go, Japanese!
Kyoko Nakajima
‘On the boat none of them will know who will meet them where they go. This is the world, they say to themselves. There is no need to worry. And this part is true, as worry functions were never built in.’
In Conversation|The Online Edition
Ann Patchett | Interview
Ann Patchett & Patrick Ryan
‘I grew up in an environment where there was nothing weird about limitless friendship.’
Art & Photography|The Online Edition
Walking on the West Bank
Robert Macfarlane
‘As walking becomes less easy, it has become correspondingly more important.’
In Conversation|The Online Edition
Ali Akbar Natiq | Interview
Ali Akbar Natiq & Ollie Brock
‘No character in my stories is an ideal person; they are mere human beings who can either be oppressors or oppressed, or sometimes both at the same time.’
Fiction|The Online Edition
A Mason’s Hand | New Voices
Ali Akbar Natiq
‘Haji sahib, these kids are beyond me. I can’t teach them any more. Please make some other arrangement.’
In Conversation|The Online Edition
Philip Oltermann | Interview
Philip Oltermann & Ollie Brock
Philip Oltermann spoke to Ollie Brock for the Granta Podcast about English bathrooms and German car engines, and how his experience as an outsider became the nexus of his forthcoming book.
Essays & Memoir|The Online Edition
My Body
Sarah Manguso
‘When I was twenty-one I became a citizen of the hospital.’
In Conversation|The Online Edition
Chris Dennis | Interview
Chris Dennis & Ellah Allfrey
‘A story is a dream, and no matter how fantastic the dream is, it’s still constructed from reality.’
Essays & Memoir|The Online Edition
The Forging of a Writer
Tim Rushby-Smith
‘As a child visiting friends’ houses, I soon realized that our living room was unusual. Not everyone had an entire wall of books, floor to ceiling.’
Essays & Memoir|The Online Edition
George Orwell: Diaries
George Orwell
‘A jagged stone skimming across ice makes exactly the same sound as a redshank whistling.’
In Conversation|The Online Edition
Bilal Tanweer | Interview
Bilal Tanweer & Ollie Brock
‘In my writing, the voice is the primary concern for me, and most of the time I construct everything else from it.’
Fiction|The Online Edition
After That, We Are Ignorant
Bilal Tanweer
‘He used to see things in his dreams and made them his policies. Yup, Americans loved his dreams because he was screwing the Soviets and Comrades in them.’