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Essays & Memoir|Granta 106
Essays & Memoir|Granta 106
Editor’s Letter
Alex Clark
‘In 1979, when Bill Buford introduced his first issue of Granta, a penetrating, bravura survey of American fiction, he proclaimed his efforts to be ‘a kind of energetic failure’.’
Essays & Memoir|Granta 106
Essays & Memoir|Granta 106
Letter from Gaza
Hisham Matar
‘It is difficult not to see the assassination of Ghassan Kanafani as an attempt to obliterate the Palestinian narrative.’
Poetry|Granta 106
Fiction|Granta 106
Fiction|Granta 106
Two Tides
Eleanor Catton
‘The harbour at Mana was a converted mudflat, tightly elbowed and unlovely at any tide but high.’
Fiction|Granta 106
Fiction|Granta 106
In the Crossfire
Ha Jin
‘Meifen had never imagined that his life could be so fragile.’
Essays & Memoir|Granta 106
Essays & Memoir|Granta 106
‘Useless Chaos is What Fiction is About’
Mavis Gallant & Jhumpa Lahiri
‘Useless chaos is what fiction is about.’
Fiction|Granta 106
Fiction|Granta 106
American Subsidiary
William Pierce
‘He was typing up another proposal for robots that would replace human workers in an engine factory.’
The Online Edition
In Conversation|The Online Edition
Paul Auster | Interview
Paul Auster
Paul Auster discusses his new novel ‘Invisible’, his writing process and the unsettling quality of narrative clarity.
In Conversation|The Online Edition
Eleanor Catton | Interview
Eleanor Catton
Eleanor Catton, author of the critically acclaimed, Betty Trask-award-winning debut novel, The Rehearsal, talks to Granta.
Essays & Memoir|The Online Edition
Growing up with the King of Pop
Marlon James
‘The thrill of Thriller was being part of something global and local at once.’
Fiction|The Online Edition
Proximity People
Jonathan Lethem
‘People who unfriend their friends while friending their unfriends. People who do not acknowledge the person. Persons who are not personal.’
Essays & Memoir|The Online Edition
Love in the Time of Swine Flu
Alexis Okeowo
‘Being mask-less in the constant sea of blue surgical face masks made me feel like I was an extra on a movie set they forgot to put in costume.’
In Conversation|The Online Edition
Rhyme and Reason
Katha Pollitt & Adam Gopnik
‘I write for people who like poetry. The people who don’t like poetry are on their own.’
Poetry|The Online Edition
Three Poems
Katha Pollitt
‘Nobody wanted to hear / about the rain or its father / or leviathan slicing the deeps / at the black edge of the world / under the cold blue light of the Pleiades.’
Fiction|The Online Edition
Dragon Island | New Voices
Laura Fellowes
‘This is a wartime story. It is the spring of 1943 and Europe is burning; look down and see.’
Essays & Memoir|The Online Edition
Getting Lost
Heidi Julavits
‘We continued to ski. The bon vivantedness of our exchanges became increasingly coded with a double-edged worry. Would we have to spend the night in the woods?’
Fiction|The Online Edition
Original Message
Austin Grossman
‘So tomorrow we might be on the same side. Unless you’re a triple agent, in which case we already were on the same side.’
In Conversation|The Online Edition
P.D. Mallamo | Interview
P. D. Mallamo & Roy Robins
‘Writing and reading in third-person present is like a high-speed drive through Nevada at two a.m.: incredibly invigorating and somewhat dangerous.’